un santo italiano hueso del muslo

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Yo soy

un objeto

vulgar que desea

consumir

a cualquier precio.

Un santo italiano

hueso del muslo.

Yo soy lleno

de cosas nuevas,

pero no para usted.

Hay estrellas

en mi boca .

(I am a vulgar object you want to consume at any cost. An Italian saint’s thighbone. I am full of new things, but not for you. There are stars in my mouth)

barcos en el mar

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Que todos tenemos

nuestros barcos en el mar.

Nosotros les enviamos

a través de las profundidades.

Como el deseo.

Algunos han cruzado la marea.

Algunos son desmanteladas.

Otros están perdidos

en una noche sin estrellas.

Érase una vez, usted navegó

a tierras extranjeras.

Yo odio tu indiferencia.

No hay cartas que ha enviado

desde cualquier puerto.

¿Cree que es inteligente?

Soy una bruja que puede

superar el viento.

 

(We all have our ships at sea. We send them across the depths. Like desire. Some have crossed the tide. Some are dismantled. Others are lost in a starless night. Once upon a time you sailed to foreign lands. I hate your indifference. No letters sent from any port. Do you think that’s clever? I’m a witch who can overcome the wind.)

louis simpson dies at 89

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As the BBC noted:

Louis Simpson, a Pulitzer Prize-winning poet whose work often explored the darker side of life in the US suburbs, has died at his New York home aged 89.

Born in Jamaica in March 1923, Simpson – the son of a Russian mother and a lawyer of Scottish descent – moved to the US at the age of 17.

The Columbia University graduate published more than 18 books of poetry.

He won the Pulitzer Prize for Poetry in 1964 for his fourth collection At the End of the Open Road.

Its title was inspired by Walt Whitman’s poem Song of the Open Road, which presented a vision of America replete with optimism and potential.

The collection contained the short poem In the Suburbs, in which he offered the bleaker suggestion that there was “no way out” for those “born to this middleclass life”.

His admirers included such writers as Seamus Heaney and William Matthews. In an interview with the BBC News website in 2007, poet Sean O’Brien described Simpson’s work To The Western World as “a wonderful, elegiac political poem about possibility”.

Simpson, who served in World War II with the 101st Airborne Division, lived for many years in Setauket, New York on the north shore of Long Island.

His final collection Struggling Times was published in 2009 by BOA Editions and dealt directly with his old age and declining health.

Speaking on Tuesday, BOA Editions publisher Peter Conners remembered Simpson as a man who “chronicled his life through his literature”.

esta muertos marea baja

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Esta muertos

marea baja.

Yo he sido vagando

esta costa para siempre.

El grito de las aves

vivas en las dunas.

Un resplandor silenciado.

La playa. La madera

de deriva. La lechuga

de mar reseco.

Este dolor es amplia

y solitaria. Y yo

también lo soy.

 

(This dead low tide. I’ve been wandering this coast forever. The cry of the birds living in the dunes. A muted glow. The beach. The driftwood. The withered sea lettuce. This pain is broad and solitary. And I am too.)

kelp y soledad

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para Virginia Woolf, 1882 – 1941

 

Virginia, estás ahí,

en algún lugar.

Un barco en la noche.

Usted se ahogó.

El suspiro de una fantasma.

Perdido en las dunas.

Usted pone piedras

en tu bolsillo.

Una sombra se hundió

en la noche

gris; a continuación,

los residuos.

La tierra baldía de aguas.

El besos suave de las olas contra

un cuerpo gris; una criatura

de kelp y soledad.

 

(Virginia, you’re there, somewhere. A ship in the night. You drowned. The breath of a ghost. Lost in the dunes. You put stones in your pocket. A shadow sank in the gray night, then waste. The water wasteland. The soft kisses of the waves against a gray body, a creature of kelp and loneliness.)

un mojado y fantasmal libertinaje

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(para Anaïs Nin, 1903-1977)

Anaïs. La memoria de tu cuerpo

sigue grabado en mi mente.

Yo veo tu cabello, tu cuello,

tu sonrisa pervertida.

Mi lengua en tu coño.

Sentimos un terremoto …

tu orgasmo, como un géiser.

Usted empapado mis dientes,

muerta hermanita.

Un mojado y fantasmal libertinaje.

 

(Anaïs. The memory of your body remains etched in my mind. I see your hair, your neck, your perverted smile. My tongue in your cunt. We feel an earthquake … your orgasm, like a geyser. You soaked my teeth, dead sister. A ghostly wet debauchery.)

dura la polla y los fantasmas

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Los muertos viven conmigo.

Fantasmas de vírgenes que se suicidó.

Cada persona que murió de un corazón roto.

Durante todo el día vemos películas tristes.

No porque ahora estamos tristes.

No porque nuestros corazones se sigue rotos.

Ai, una vez que estábamos solos,

y ahora somos familia.

Estamos aprendiendo a reírse de nuevo.

 

dura la polla y los fantasmas

(The dead live with me. Ghosts of virgins who committed suicide. Each soul who died from a broken heart. All day we watch sad movies. Not because we are sad. Not because our hearts are still broken. Ai, once we were all alone, and now we are family. We are learning to laugh again)

lluvia ácida

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Está lloviendo.

Lluvia ácida.

Todo se quema.

Después de la medianoche

en la ventana estoy desnudo.

Usted puede contar

las quemaduras

de cigarrillo en mi pecho.

Regalos de extraños.

Incluso mis delirios

son dolorosas.

¡viva tom of finland!

¡viva tom of finland!

(It’s raining. Acid rain. Everything burns. After midnight I was naked in the window. You can count the cigarette burns on my chest. Gifts from strangers. Even my delusions are painful)