Noor

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Back on Mesrop Mashtots Street, near the Blue

Mosque, the neighbors talked each time we’d stroll

after your prayers; you with your Siouxsie Sioux

eyeliner and hijab, me with my troll

doll hair and corduroys. English let us

chat, for twenty-minutes, about your life

before fleeing Baghdad and a worthless

marriage. “Only a fool becomes a wife.”

In school you loved Forugh and punk. “Forugh

*is* punk,” you’d state. Also: “Gay Grrls,” “Blunts

& Cunts,” “God Save the Queen.” Twenty-minutes;

then the mask would slip back. “Righty-right, droog,”

you’d sigh. “Back to my diapers and Y-fronts”—

and rage-smolder for “Gay Grrls” who riot.

)(*)(

NOTES.

I am not good with eulogies, even ones twenty-years late.

The Forugh that I reference is Forugh Farrokhzad (فروغ فرخزاد), an Iranian modernist poet, feminist and film director who was murdered in 1967 at the age of 32. Because English does not have any words that end in “gh” I’ve cheated and pronounced her name as (fo-ROOG), as in Fugue or Moog.

The Blue Mosque is an 18th-century Shia mosque, located on Mesrop Mashtots Street, in Yerevan, Armenia, across the street from where the glorious Pak Shuka (think: huge, beautiful indoor market full of spices and exotica and the ghosts of the Silk Road) once stood.

fae-fae

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Dark hair, blue eyes? Faery’s child. Reddish hair?

Faery’s child. Skin *not* pale-slush as weak tea?

Faery’s child. Female? Faery’s child. Out there,

in Dead Poet Land (which remains what? Thirty

musty upper-class twits?) anyone keen

on France and hygiene was a Faery’s child.

Odd just how the sexually-repressed queen

failed to make the list. Evolved? Fae. Reviled?

Fae-Fae. Unchaste? Yo, baby pop! “Elfin

grot”? Got ya, “lips in the gloam,” right here, boo!

I write wrong? I right wrong; it’s a Fae-as-Fuck-

thang, you wouldn’t understand. My skin twin.

My twink. My Other. Cocks chaos. You who

grew from duckweed. The one Keats named Amok.

brat

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“because I don’t have that

which is in air/ because

I am air—” ~ Anne Waldman.

Bog-backed and mud-slacked I strip down to skin;

–bruises and –scabs and –places I smut-cut

with a blade and –mauled: purple pleasing grins.

This peat transforms. Rinds that bind me wrack what

I’ve come to shed, peel back off my back. Crone’s cock,

witch’s brat; my first love baptized me air.

From the jump drown rock, into red and mock

yellow and brown. Ruelaine and Sal and Sher

and Joyce –all gone. I’ve outlived my teachers,

friends, lovers. “Churn to the primordial,”

she said, now ash blurred in me tear. My skull,

crypt of the Lansing Hell Cats and Pranksters.

Rising. Crud from blood and mud. Dripping foul

from root-booty, cock-cowl. Edgeless. Primal.

swills

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Haughty citrus can’t touch us. Mock orange.

Scavenge rank-rat, buoyant knotweed, bull’s mane,

bland kit kelp. Above? Sun ground satchel. Sponge

blue sea snail. Small island unwound. A skein

gone all skank. Drowned? Ferry sound: blub-dub-dank

-wank. What noise? It could mean anything, dear…

save *that*. Never that. Even at point-blank

range you miss. Saint Lisbon of Tram Cars, hear

me out. Dub step. “Don’t let your son go down

on me./ Meat for Lent, I mean/ Bent. I mean,

Bum–” O what a giveaway! Saint of hills,

thrills, warps riddled corpse. Staghorn fingers ground

round. I mean, “I know kelp.” Even brown-green

dank-drab. Crab pink. Cunt blue. Sea sucks? Sea swills.

muddy

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My green grudge. My rotten tooth. French Quarters

Levee slang. Newsreel of the flood. Pour ash

on my neck. Slap. Pitch and shake while cinders

rise. As in tongue, that burble, that soaked gnash,

hung in your pink-plumb’s boom-boom womb. As in,

Styx, her cervix, that slag weight, crotch logic.

Styx, you,“slaker and drench.” Mama Styx, “Djinn

in the Vaseline.” Styx, Oath Maker, thick

thighs, grand thrall (we’ve consorted like minstrels,

fiddle sticks and gall.) Styx, mother-in-law

from my first marriage. Kip of the quip. Thrust

and heal. The dead live but can’t love. Rot. Skull.

Shucks. Styx, I love but can’t live. Return, ma.

Storm. Flood. I’d drown, again, in ash and dust.

def

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First comes the buzz, then the total bummer,

sister. Being poor, it was turpentine

mixed with fizzy Koolaid. Memphis Croaker,

the kids called it. I tried Blue Loo Moonshine,

Purple Powder Hooch, Krud Kutter rot-gut.

Too sick to write, I lay in bed for weeks.

Maggots under the skin. My brain-socket

all wrong. Praying to the Goddess of Freaks

for words. Blithe, Oven Cleaner Juice be Muse

words, and… that “total bummer” was made flesh.

Flesh to bruise and scar. Proof something happened.

Proof-filled stump of butcher’s thumb. Blue dress blues.

“Make it Def,” no longer served. “Make it Fresh,”

though, still tasted of gasoline and almond.

sough

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Wastelands. Uterine waters. Sweet hubris

licks the roof of my mouth; which is to say,

I’m the one who puts the “price” in priceless.

Twitch is to J: thirst we muck, then we pray.

Face down. Nape exposed. Dread bite the pillow,

biscuit. Brunt kiss; undo madness. Your slender

moistures flood unto squelches; spit-muck’s flow

spreads and splurges, whilst one crooked-stack finger

unknots the curve where you strum, drum and squirt.

Cruel? Yes, like how shadow, that fell organ,

sloughed that sough. Vast. Which is to reinsert

me in you. E ‘n U. Go Uterine!

“Dear Spit-Muck (that I first named Clit-Suck) how

I miss you? Which is to say: sough that slough.”

troll

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A troll writes, hoping that I’ll die by choking

on my own genitalia… I mean, sure,

if I was *that* flexible, deep throating

myself to death holds a certain allure,

though my gag reflex has proven stubborn.

Something to put on the gravestone. “He died

as he lived.” Maybe: “You living, who mourn

the dead, aren’t very fuckable.” I lied,

neither am I. Still, on mornings like this,

on tea, hash and blow, I *feel* fuckable

and so pretty and witty and… won’t last.

Never does. I remember that last bliss;

before trolls and dark times. Back when carnal

meant all that was joyful, sacred and vast.

totes

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“salt grist in grind mill.”

Yes, there are calm lagoons *and* seas of flame

with my bier riding their currents. Harbors

are for the loveless and shameful since shame

always turns away from love. Some rivers

and sludge will drown you, if drowning in sludge

is your kink. Here’s my boat, my flesh, which floats.

Until it don’t. “Blues like that.” Like this grudge

I keep with my humours and bile. “K’, totes!”

K? “Sea’s breast/ all unrest.” “From the dark deep/

typhoons reap.” Gimme monsoons soon and storms

that swarm and waves that breach. There’s no levee

this deep. No home. No sludge. Just grudge’s sleep

and grudge awake. Tote that twists and transforms.

K’. I’ve more than Queequeg’s coffin in me.

op

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Today on, “Postmodern or AI slop?”

we’ll mock the Iowa Writers Workshop

for their terrible taste. Barbaric yawp

it ain’t. Stop. “Make that pussy pop”? No, stop,

fool, you can’t rhyme everything just with “op”.

Why? Who doesn’t love a stiff leather strop?

What? Like a strap, but with, how you say? Whop?

No. Chop? Yes! I love a stiff strop with chop.

“Chop chop!” Don’t try and be funny, foul fop.

See? Scenery chewing! Over the top?

A tad. Full stop? Please, just once, no bebop,

no scat singing. “Doo-be-shoo-be-shop-plop

-plop.” Ugh. I’m the top sop in the crop top?

Joypop’s flop? Ho, fuck bunny’s last Aesop.