• hopilavayi: an erotic dictionary

memories of my ghost sista

~ the dead are never satisfied

memories of my ghost sista

Category Archives: self-portrait

unchaste

22 Saturday Feb 2025

Posted by babylon crashing in Erotic, Poetry, self-portrait, sonnet

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erotic poetry, grave's end, Lord Byron, poem, Poetry, quote unquote, sea foam and ache, sonnet, unchaste

“Till taught by pain, men know not water’s worth” ~ Lord Byron.

To hear that far-off rumble, that faint praise

mixed in with the boom-dread of the breaking

waves. To half halt in doubt; there shall always

be doubt. Praise, as in lament, rumbling

in the wet sand. Doubt shall be my grave’s end.

Doubt and this throaty and forbidding maw

that you call the surf. To enter. To transcend.

To be sucked away. Blowjobs and lockjaw.

Spasms junoesque. Unchaste. Pungent. Cum

lost on the surge. All the things I’ve done mean

nothing. Stings of indifference. The sea rose

does not care even as I grow hard and numb.

I love laments that are crude and obscene;

like a note found in my abandoned clothes.

speak

07 Tuesday Jan 2025

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, self-portrait, sonnet

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ars poetica, erotic poetry, life as a poet, life as an alcoholic, poem, Poetry, sonnet, writing

There are days, there are days, when abusing,

claiming, needing all seem … it was a nudge

from your knee to spread my legs wide, taking

a knot of my hair in one hand, a smudge

of your cum drying on my cheek; such sweet

obscenities. There were days, there were days

when those urges all seemed worth it; to mistreat

me was to love me … That orgasmic haze

when gods would speak … But without alcohol

those words, like those urges, came less and less.

Chekhov’s Black Monk: madness is genius, child.

Cirrhosis, though? Organs giving out? Small

little choices since I’ve stopped saying yes.

Poet without words. Detritus defiled.

][][

Notes:

Anton Chekhov’s novella, The Black Monk, talks about the destructive nature of the creative process, when the titilar Black Monk appears before the scholar Andrey Kovrin, who cannot tell if the Monk is indeed a supernatural entity or a product of his overworked insomnia, but becomes key to his mysticism, romanticism.

“My friend,” the Monk tells Kovrin, “Healthy and normal people are only the common herd. Exaltation, enthusiasm, ecstasy—all that distinguishes prophets, poets, martyrs from the common folk—[which] is repellent to the animal side of man—that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd.” Thus creativity becomes a psychic ailment concerning dreams and delusions. The romanticism of madness. “I went out of my mind,” Kovrin explains, “I had megalomania; but then I was… interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am—mediocrity.”

I am an alcoholic and have been sober for almost seven years. After 33+ years of heavy drinking I was faced with the same choice that everyone in Recovery is faced with: if I’m serious about surviving I must cut out all the “wet” places, the self-destructive habits and routines, that I used as excuses to drink. Unfortunately this also meant that I’d have to come up with a whole new creative process and that inspiration has yet to materialize. This isn’t a, “poor me,” statement, I knew from my first day at AA that I might lose my inspiration, but there didn’t seem much of a choice short of dying homeless and friendless in the Poverty Ward of my local hospital.

Can a poet even call themselves such if they cannot write poetry? It’s not that I can’t physically string words together, rather I’ve lost the urge; all those delusions of grandeur that drove me forward seem … pointless. Lust and the gods have fallen silent. Yet even this is me being kind to myself. Maybe one day I will find new inspiration … something more than just lamenting that the old ways are dead. It hasn’t happened yet, but perhaps one day. Perhaps.

Q: do you ever find yourself ruminating?

16 Tuesday Apr 2024

Posted by babylon crashing in Poetry, self-portrait, sonnet

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Tags

bogus, Dementia, floppy sweat, glitter gun, poem, Poetry, sonnet

I feel sober … delirious … a crass

imperious, like a needless meltdown

or a skirt with buttons sewn down the ass,

leaving queer imprints each time I sit down.

Don’t frown. I have floppy sweat, sweaty flop

and this deeply odd dimple. Here are two

blinkable eyes drowning in my mop top.

High dreams, click bait, a smoking glitter glue

gun. Don’t laugh, this glamour is serious,

like the foundling you’re fondling. Hell’s

bells in the palm of your hand. Don’t question

this fog’s piss. I’ve turned totally bogus,

as the kids say. Fog? Dementia that swells

in me, hot as any glue from a gun.

notes.

As I’ve noted elsewhere my father has dementia and I, being the oldest child in the whole extended family, am perhaps showing early signs of it too. I say, “early signs,” as if I were operating with some sort of money-back-guarantee of reaching a million miles before needing to be sold for scrap in exchange for something slightly better.

This is what I think about, perhaps at times a bit too much. Self-pity is an odd toxic beast. Some folks say that dementia is a blessing since it causes the patient to forget that they’re slowly losing everything about themselves. I don’t spend a lot of time on-line these days, not because I don’t care but because there are times that I’ve forgotten that I have a blog and that revelation is sorta a total bummer.

If, at some point, I stop posting here for good it will probably mean that I’ve lost the path to get back home; midway, as Dante would put it, through those deep dark woods where no search party will ever be able to find me.

bareback

21 Thursday Mar 2024

Posted by babylon crashing in Erotic, Poetry, self-portrait, sonnet

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Tags

age difference, anal sex, black hole, erotic poetry, French translation, poem, Poetry, sonnet, translation

Like this. The abyss yawned wide with jelly

honey smeared around the rim. Such event

horizons spawned from your thirst for nerdy,

fey boys. I’ve never been much except bent,

as in, curious. You called it your black

hole. “Je veux te sentir en moi.” Back when

strange new worlds meant more than just bareback

sex in the backseat. Since I wasn’t, “Men

who Suck,” I was safe, even if you weren’t.

All you adults and your Midlife crises

still faze me ⟺ middle school was spent in moans

⟺ slaphappy moans ⟺ one more pretty thing “learnt”

in singularities ⟺ “Like this” ⟺ how to please

supernovas and erogenous zones.

Note.

“Je veux te sentir en moi” translates into, “I want to feel you inside me.”

tía

26 Monday Feb 2024

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, self-portrait, sonnet

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Alejandra Pizarnik, poem, Poetry, quote unquote, sonnet, Spanish translation, tía

“Surrealism is only shocking to those who are shocked by dreams,” André Breton.

Scads of old wounds, tía. Scads. El viento

muere/ en mi herida. “The wind dies/ in

my wound.” And in the blood, tía, its slow

flow, a queer smear. Horror under the skin.

Horror that keeps itching. Alejandra,

tía, I’ll still be your your fag hag that keeps

you from the night that gnaws and, mendiga,

begs in your blood. Infernal stone that weeps.

Sugar crusts. The crunch and chew of language.

An itch. A witch. I cannot stop, auntie,

I call you all: Necromancer of words

and wounds. This scar? Where I pulled my innards

out. Where I washed my old wound in the sea

and used your name as its heinous bandage.

Notes.

If Federico Garcia Lorca would be my uncle, then please let Alejandra Pizarnik be my aunt. These two poets taught me more about the craft than anyone else. And yes, I use the term Craft as in the dark Dionysian powers of the psyche and soul. Pizarnik wrote in fragments, as the language she used drove her insane. Artistically, she is sister to Paul Celan, who wrote in German and committed suicide by drowning in the Seine. Language as virus. Language as plague. The poem of hers I use is, “El viento muere en mi herida./ La noche mendiga mi sangre.”

retch

18 Sunday Feb 2024

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, self-portrait, sonnet

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Tags

ars poetica, one day at a time., poem, Poetry, retch, sonnet, spew

The gods had ceased singing. My verse had cooled,

then dried up. Nightmares, livid with love, came

with puke and drool, as if I’d somehow fooled

Temperance. As if self-restraint and shame

only bedeviled others. And today? ¬

Six years have passed. The bloat has left my face.

¬ Scars on my liver. ¬ Scars on my wordplay. ¬

Lifetime of scars, self-loathing and disgrace;

cuz’ who dies clean? Pffft. Thomas? Poe? Sexton?

Saints of excess. ¬ Today? This day. ¬ Call this

a small price to pay. ¬ Of these fifty-four

years six were spent sober. Without swollen,

flushed flesh. Without the gods, “taking the piss.”

¬ Without retch. ¬ Without fucking up hardcore.

note.

Today, 2/18/2024, marks my 6th year anniversary of entering Recovery. As they say, one day at a time.

chums & the eight of cups

16 Friday Sep 2022

Posted by babylon crashing in Armenia, Poetry, self-portrait, sonnet

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Armenia, artsakh, Nagorno-Karabakh War, Peace Corps, peace corps memories, poem, Poetry, sonnet, Syssk, Tarot of Syssk

Q: What is the meaning of the Eight of Cups?

For me, the Eight of Cups is all about how we deal with problematic situations … and by “deal” I mean running away from it. It is a card full of disappointment and regret. This isn’t about being judgmental; the world is full of horrible, no-win situations that only get worse the longer we stay with them. It’s why we have the term, “Survivor’s Guilt,” which often accompanies PTSD. Free will can only take us so far. Or, as Goldsmith reminds us: “He who fights and runs away/ May live to fight another day;/ But he who is battle slain/ Can never rise to fight again.”

That might be true, but often it does not heal a spirit broken by shame and guilt. They say you never know how you’ll react during war until you’ve actually fought in one. I haven’t. I’ve been nearby but that’s not the same. A memory of my time in Peace Corps came back to me yesterday so I wrote this:

All through red suns at dusk. All through dark suns

at dawn. Those low rumbles. I’ve heard thunder.

I’ve heard earthquakes. Neither sound deafens

nor numbs me utterly like gun powder.

Once, while drunk (I was always drunk) some chums

and I drove to the outskirts of Artsakh,

“to watch the fireworks.” Back when my eardrums

were still naïve over certain noise. Raw

and green. The border guards turned us away.

Being dumb we parked on a hill to eyeball

the «pff-boom» flashes down in the valley.

That’s called privilege: turning someone’s doomsday

into drinking games. Fireworks fell. Nightfall

fell. We drank … numbing their rage and fury.

Armenia and Azerbaijan have been fighting for decades over an area of land called Artsakh (formerly known as Nagorno-Karabakh). While geographically it has been claimed by Azerbaijan its inhabitants are Armenian and since the fall of the USSR Artsakh has been a democratic republic, mainly unrecognized by the rest of the world. The First Nagorno-Karabakh War lasted from 1992–1994. I was living in Yerevan in 1997 while shelling and guerrilla warfare were still going on. It wasn’t the only military conflict happening in the area, though. That same summer I watch plumes of smoke billowing from the foothills around Mt. Ararat as Turkish troops battled Kurdish resistance fighters.

this

03 Tuesday May 2022

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, self-portrait, sonnet

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Tags

brackish water, brackish words, decline, poem, Poetry, sonnet, where do the souls of the drowned go?

Now words are rare. Whatever synapses

let in the Divine are misfiring. ––

Neurons fail. Neural pathways do not please.

Now words are a struggle. I’m struggling

just to write this. Once I said I’d go turn

a tramp steamer into a library. ––

Sail from port to port, sharing that stubborn

love of books with all who live by the sea.

Now I’m struggling just to write this. Now

I sit in my chair and –– stare. There are no

books here. Words, like the water, turn brackish

each time I go down. Let me drown, somehow,

instead of this decline. Instead I know:

first I floundered, now flail and soon perish.

thunderhead

09 Wednesday Mar 2022

Posted by babylon crashing in Poetry, self-portrait, sonnet

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ars poetica, birthday, ghosts and gods and stuff, half-assed conduit, Ոչինչ, poem, Poetry, sonnet, thunderhead, vo'chinch

Half a mile high. Book open. Pen drooping

in one hands; the hand that writes secret words.

Just as the in-flight drinks are served something

enters. “Sounds like dementia. It’s absurd;

ghosts and gods and stuff.” I’ve done deep damage

with my drinking; taken blows to my head.

Who knows? Half a mile high and a mirage

enters me. Shadows? The dark thunderhead

out my window? “Sounds like that Twilight Zone

Gremlin.” On Thursday I’ll be fifty-two.

“Vo’chinch,” my pen writes. Nothing? Good enough.

Good? I’m a half-assed conduit. I’ve grown;

not wiser, just … vaguer. Just … the one who,

miles high, mumbles of ghosts and gods and stuff.

][][

Note:

Armenian, an ancient language I am forever butchering when I try to talk, has the most useful word in the world, “Vo’chinch,” (Ոչինչ) an expression that literally means, “Nothing,” but is used in the same way that the French use, “Comme ci Comme ca” — neither good nor bad, it just is.

bogan

24 Wednesday Nov 2021

Posted by babylon crashing in Erotic, self-portrait, sonnet

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Tags

baba yaga, chrome shaft, erotic poetry, gilt grotto, gorgon's jargon, Lucille Bogan, pegging, poem, shave em dry, sonnet

Hard bop. Red hot Baba Yaga. Fun-sized

pain and sanguine cannibal. Her bloomin’

sick love crept through us. All who’re despised,

who are flame, who are fuses, who roll sin

on a twelve-sided die, are comin’ home.

Lucille Baba Bogan Yaga. We’re all

goin’ to get laid. Sloppy with Blues. Chrome

shaft. Gilt grotto. We strap it on; the, “mal,”

in our malcontent. “Peggin’,” they call it.

Shit. I love the monsters that the bourgeois

fear: dark skin, women, the Blues. When Bogan

sang the vamps jumped. Singin’ of cocks and clits.

Gorgon’s jargon, sister. Out like outlaws.

Cocked, suckers; as if to say, “bring it on.”

][][

Notes:

In Slavic folklore, Baba Yaga, the wild witch of the woods, helps those who seek her out, unless they piss her off and then she simply eats them. Pegging is a term Dan Savage (of Savage Love fame) made popular back in 2001: an act in which a woman has anal sex with a man by penetrating him with a strap-on dildo. Lucille Bogan was one of the Three Queens of the Blues (Ma Rainey and Bessie Smith being the other two). Her sexually explicit lyrics helped popularize the “Dirty Blues” genre. Perhaps her most famous song, Shave ’em Dry, starts off with the lyrics: “I got nipples on my titties big as my thumb/ and something between my legs that’ll make a dead man cum.” Indeed.

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