Crouching close together
in the cooling weather,
with clasping arms and cautioning lips,
with tingling cheeks and finger tips.
“lie close,” Laura said,
and for the first time in her life
began to listen and look
she clung about her sister,
kiss’d and kiss’d and kiss’d her
look at our apples
bob at our cherries,
bite at our peaches,
plums on their twigs;
pluck them and suck them,
then suck’d their fruit globes fair or red:
sweeter than honey from the rock,
stronger than man-rejoicing wine,
clearer than water flow’d that juice,
she never tasted such before
she suck’d and suck’d and suck’d the more
fruits which that unknown orchard bore,
she suck’d until her lips were sore,
brother with queer brother
hugg’d her and kiss’d her,
squeez’d and caress’d her
tore her gown and soil’d her stocking,
held her hands and squeez’d their fruits
against her mouth to make her eat.
Lizzie utter’d not a word;
would not open lip from lip
lest they should cram a mouthful in.
but laugh’d in heart to feel the drip
of juice that syrupp’d all her face,
and streak’d her neck
and lodg’d in dimples of her chin,
she cried, Laura,
did you miss me?
come and kiss me.
never mind my bruises,
hug me, kiss me, suck my juices
squeez’d from goblin fruits for you,
goblin pulp and goblin dew.
eat me, drink me, love me;
Laura, make much of me;
for your sake I have braved the glen
and had to do with goblin merchant men.
her lips began to scorch,
she kissed and kissed her
with a hungry mouth.
Jazz composition based on the poem “Goblin Market,” by Christina Rossetti; recorded at Boss Cupid Studios, Detroit, Michigan (October 5, 2013) All mixing by DJ Liliti.
Can poetry change the world?
The implied answer is, it seems, no. And yet Fred Rogers (of Mister Roger’s Neighborhood fame) was able to do something with a 157-word long poem that changed the course of not just PBS but all American children, forever.
The year was 1969. Rogers appeared before the US Senate to justify why the then current president (Nixon) shouldn’t cut the funding to PBS in half, a move that would have canceled shows like Sesame Street and the Electric Company. Senator Pastore had a reputation for slash and burning social welfare programs. Even before the hearings started the heads of PBS had assumed that their network would not survive after Pastore had his say.
Senator Pastore: Alright Rogers, you’ve got the floor.
Mr. Rogers: Senator Pastore, this is a philosophical statement and would take about ten minutes to read, so I’ll not do that. One of the first things that a child learns in a healthy family is trust … My first children’s program was on WQED fifteen years ago, and its budget was $30. Now, with the help of the Sears-Roebuck Foundation and National Educational Television, as well as all of the affiliated stations … each station pays to show our program. It’s a unique kind of funding in educational television. With this help, now our program has a budget of $6000. It may sound like quite a difference, but $6000 pays for less than two minutes of cartoons. Two minutes of animated, what I sometimes say, bombardment. I’m very much concerned, as I know you are, about what’s being delivered to our children in this country. And I’ve worked in the field of child development for six years now, trying to understand the inner needs of children. We deal with such things as … as the inner drama of childhood. We don’t have to bop somebody over the head to … make drama on the screen. We deal with such things as getting a haircut, or the feelings about brothers and sisters, and the kind of anger that arises in simple family situations. And we speak to it constructively.
Senator Pastore: Could we get a copy of this so that we can see it? Maybe not today, but I’d like to see the program.
Mr. Rogers: I’d like very much for you to see it.
Senator Pastore: I’d like to see the program itself, or any one of them.
Mr. Rogers: We made a hundred programs for EEN, the Eastern Educational Network, and then when the money ran out, people in Boston and Pittsburgh and Chicago all came to the fore and said we’ve got to have more of this neighborhood expression of care. And this is what — This is what I give. I give an expression of care every day to each child, to help him realize that he is unique. I end the program by saying, “You’ve made this day a special day, by just your being you. There’s no person in the whole world like you, and I like you, just the way you are.” And I feel that if we in public television can only make it clear that feelings are mentionable and manageable, we will have done a great service for mental health. I think that it’s much more dramatic that two men could be working out their feelings of anger — much more dramatic than showing something of gunfire. I’m constantly concerned about what our children are seeing, and for 15 years I have tried in this country and Canada, to present what I feel is a meaningful expression of care.
Senator Pastore: Do you narrate it?
Mr. Rogers: I’m the host, yes. And I do all the puppets and I write all the music, and I write all the scripts —
Senator Pastore: Well, I’m supposed to be a pretty tough guy, and this is the first time I’ve had goose bumps for the last two days.
Mr. Rogers: Well, I’m grateful, not only for your goose bumps, but for your interest in — in our kind of communication. Could I tell you the words of one of the songs, which I feel is very important?
Senator Pastore: Yes.
Mr. Rogers: This has to do with that good feeling of control which I feel that children need to know is there. And it starts out, “What do you do with the mad that you feel?” And that first line came straight from a child. I work with children doing puppets in — in very personal communication with small groups:
What do you do with the mad that you feel? When you feel so mad you could bite. When the whole wide world seems oh so wrong, and nothing you do seems very right. What do you do? Do you punch a bag? Do you pound some clay or some dough? Do you round up friends for a game of tag or see how fast you go? It’s great to be able to stop when you’ve planned the thing that’s wrong. And be able to do something else instead — and think this song —
‘I can stop when I want to. Can stop when I wish. Can stop, stop, stop anytime….And what a good feeling to feel like this! And know that the feeling is really mine. Know that there’s something deep inside that helps us become what we can. For a girl can be someday a lady, and a boy can be someday a man.’
Senator Pastore: I think it’s wonderful. I think it’s wonderful. Looks like you just earned the 20 million dollars.
reblogged from One-Armenia:
Armenia faces a severe crisis of widespread violence against women and children. Due to the cultural and safety concerns of reporting violence, many women do not report violence and are often stigmatized for doing so. As a result, the Armenian government is able to deny the problem. Furthermore, Armenia currently has weak domestic violence laws and no law addressing sexual violence. Encouraging greater reporting and greater awareness of the problem is the first step to legislative advocacy and legal enforcement.