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memories of my ghost sista

~ the dead are never satisfied

memories of my ghost sista

Tag Archives: Poetry

soft

28 Friday Feb 2025

Posted by babylon crashing in Erotic, Poetry, sonnet

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erotic poetry, lurid details, pleasure is our birthright, poem, Poetry, sonnet

Ugh! such rude growth, you think; off the photos

that I should’ve never sent. Indulged cheek bulge.

Chuffed to bits. Soft sick’s jaw stretch. Some wino’s

tale. Not yours. The creed, “OV-er-IN-du-LGE,”

rolls like a muddied drop over and not

out of Bowery’s lips and yet dewy’s mud

and yet sweetly’s immature; a sot’s sot.

Fifty-five in ten days. All the lurid

details. Matted. Fatted. As in the Calf.

Decaf. Now regular. Impaled then crushed

against the wall. Make it gross. Cum like staph,

like snot, like cooties. Make it cute. What gushed

red soft? Sick soft. Retch. Recoil. And we spew.

Again. Warming to a crimson Code Blue.

unchaste

22 Saturday Feb 2025

Posted by babylon crashing in Erotic, Poetry, self-portrait, sonnet

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erotic poetry, grave's end, Lord Byron, poem, Poetry, quote unquote, sea foam and ache, sonnet, unchaste

“Till taught by pain, men know not water’s worth” ~ Lord Byron.

To hear that far-off rumble, that faint praise

mixed in with the boom-dread of the breaking

waves. To half halt in doubt; there shall always

be doubt. Praise, as in lament, rumbling

in the wet sand. Doubt shall be my grave’s end.

Doubt and this throaty and forbidding maw

that you call the surf. To enter. To transcend.

To be sucked away. Blowjobs and lockjaw.

Spasms junoesque. Unchaste. Pungent. Cum

lost on the surge. All the things I’ve done mean

nothing. Stings of indifference. The sea rose

does not care even as I grow hard and numb.

I love laments that are crude and obscene;

like a note found in my abandoned clothes.

gift

21 Friday Feb 2025

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, sonnet

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aunt in haunt, Eros' virus, hungry ghosts, poem, Poetry, quote unquote, sonnet

Urban legend says: You can tell which Aunts

are real Hungry Ghosts since they wait for you

after school to walk you home. Such romance,

if that’s the term, boggled me. All I knew

was that her garage smelled of hootch, roach spray

and sage. Sometimes her husband would come home

and shout. She was a Ghost because one day

she was gone. All that summer I would roam

near by, to lure her out with the promise

of boy flesh but such flesh is everywhere.

Urban legend says: the sick kids she takes

become Ghosts themselves: Eros’ virus …

which is why I’ll starve, I answer in prayer,

rather than bequeath you plagues that ache.

roast

16 Sunday Feb 2025

Posted by babylon crashing in Erotic, Poetry, sonnet

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erotic poetry, poem, Poetry, roast, sallow hibernation, sonnet, winter is rough

Bamboo snapping in the dark. Waking from

winter drowse, dinner of fat shaft death cap

shrooms, to a new weight: a calm, a maelstrom

of ice. The creaking night comes with a slap,

a groan, as if frost would freeze sperm in mid

flight, such stiffness in the air, such sallow

hibernation. Night blows through you, forbids

you heat as the hearth fire dies. Gods send snow

without sleep. Cracks in the ice. Cracks that spew

a chill roast. Cracks that nip you back to bed

with the Dark: polar, hungry, death-dealing

wrong. Dark simply wants, so unlike bamboo

or you: first I bring you awe, then deep dread,

then you cum in the cold, bones shattering.

dearth

05 Wednesday Feb 2025

Posted by babylon crashing in Poetry, sonnet

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dearth, hungry ghost, poem, Poetry, sonnet, wraith's wrath

Without the nightgown that slips down, to pool

around the feet, mere inches from the wraith

full of wrath that lurks under the bed; cruel,

the way that all lust that festers, all faith

that falls fallow, ignored, is cruel. Without

veils there’s nothing an abomination

can cling to. We are all creatures of doubt,

hunger, love, begging for release. Just one

more dust bunny lost in the gloom. Make me

real. Fear drives the faithful, lust the lover,

death the poet. I’m all three. Make me real

so I’ll burn, I’ll burn nightmarish, lewdly.

If I’m dearth, if you’re the end to hunger,

then this will take the wrath out of wraithful.

][][

Note:

It’s one thing to write about hungry ghosts, another to wake one day and find, before your time, that you’ve become one, all ravenous Id.

thick

27 Monday Jan 2025

Posted by babylon crashing in Erotic, Poetry, sonnet

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erotic poetry, ire and cum, poem, Poetry, quote unquote, sonnet

“Venus is kindled by anything, but her greatest heat comes from sodomy, as anyone who has tried it knows” ~ 12th century Italian graffiti.

For a sec those whispers were back, “make it

hurt.” The scars of your anus an old friend

as I sank inside. Back when lust and spit

were the only lube we needed. To rend,

to tear, to walk with a limp. For a sec;

a twitch; concrete grit should’ve been enough;

skewered dog-drip meat; at each sick thrust, “wreck

me.” Back when self-loathing was the thick stuff

that drove my verse; rise and turn bathroom ghouls

sublime. Odd. Without meth Yacht rock remains

vapid. Without booze Venus’ heat cools

and so do I … like sex without blood stains.

For a sec, slick with dawn’s light, ire and cum,

the gods were whispering one last poem.

a pretty piece of flesh, please

26 Sunday Jan 2025

Posted by babylon crashing in Kreyòl, Translation

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Blood Wedding, Federico Garcia Lorca, Haitian Creole, Haitian Creole translation, poem, Poetry, quote unquote

This is a scene from Federico Garcia Lorca’s 1933 surreal drama, Bodas de sangre (Blood Wedding). Set in rural Spain, the story concerns a doomed love triangle swirling around the nameless Bride, Groom and Leonardo Felix, who once was in love with the Bride but is now married to another. Driving the tragedy is the Groom’s bitter Mother, who has lost her husband and older son to an ancient feud with the Felix family. It is during the wedding itself that the Bride unexpectedly flees with Leonardo, leaving the Groom with no choice but to follow them. The two men kill each other and the rest of the play deals with the fallout for all the female characters.

Lorca loved his psychedelic Romanticism and this play does not disappoint. During the chase scene all manner of bizarreness happens, from a trio of otherworldly lumberjacks to the Moon making a walk-on appearance. Perhaps the strangest is Death, who takes the appearance of a curvaceous pauper (though, except for some stage directions, she is only referred to as “The Beggar Woman” throughout). As the scene opens, two young women sit, spinning wool, while the Little Girl (who turns up in the play whenever a comedic line is needed) runs about being sassy. Soon Death shows up and asks, Yon bèl moso vyann, tanpri. [A pretty piece of flesh, please.]

LITTLE GIRL. Ale ale! [Go away!]
BEGGAR WOMAN. Poukisa? [Why?]
LITTLE GIRL. Paske w ap plenyen: ale. [Because you’re whining: go away.]
BEGGAR WOMAN. Mwen te kapab mande pou je ou! Yon bann zwazo swiv mwen: ou vle youn? [I could ask for your eyes! A flock of birds is following me: do you want one?]
LITTLE GIRL. Mwen vle ale lwen ou! [I want to get away from you!]
YOUNG WOMAN I. [To the Beggar Woman.] Pa koute l! [Don’t listen to her!]
YOUNG WOMAN II. Eske ou soti nan rivyè a? [Are you from the river?]
BEGGAR WOMAN. Se konsa mwen te vini. [That’s how I got here.]
YOUNG WOMAN I. [Timidly.] Èske mwen ka poze w yon kesyon? [Can I ask you a question?]
BEGGAR WOMAN. Mwen te wè yo; yo pral byento la: de torrent lapè finalman ant gwo wòch yo, de gason nan pye chwal la. Mouri nan bote nan mitan lannwit lan. [Pauses.] Mouri, wi, mouri. [I saw them; they will be there soon: two river torrents at peace at last between the rocks, two men trampled between the horse’s feet. Dying in the beauty of the night. Dying, yes, dying.]
LITTLE GIRL. Fèmen bouch, dam toutouni, fèmen bouch! [Shut up, naked lady, shut up!]
BEGGAR WOMAN. Flè ranpli twou je yo, ak dan yo se de ti ponyen nèj difisil. Yo tou de tonbe, pandan lamarye a te rive, abiye ak cheve tache san. Anba dra san tache yo pral retounen, pote sou zepòl bèl ti gason. Se konsa, pa gen anyen ankò ka fè. Li jis. Tout sa ki rete yo se flè an lò sou sab sal. [Flowers fill their eye sockets, and their teeth are two handfuls of hard snow. They both fall, as the bride arrives, dressed in blood-stained hair. Under the blood-stained sheets they will return, carried on the shoulders of a handsome boy. So there is nothing more to be done. It is fair. All that remains are golden flowers on the dirty sand.][Vanishes.]
YOUNG WOMAN I. Sal se sab la. [The sand is dirty.]
YOUNG WOMAN II. Sou flè an lò. [On the golden flower.]
LITTLE GIRL. Sou flè an lò a mò yo pote tounen soti nan kouran an. Brown se youn, mawon se lòt la. Ki rossinyol ki nan lonbraj vole ak fè jouda sou flè an lò! [Beneath the golden flower they carry them from the river. Dark-haired is one, dark-haired is the other. Let the shadow of the nightingale fly and call to the golden flower!]

speak

07 Tuesday Jan 2025

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, self-portrait, sonnet

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ars poetica, erotic poetry, life as a poet, life as an alcoholic, poem, Poetry, sonnet, writing

There are days, there are days, when abusing,

claiming, needing all seem … it was a nudge

from your knee to spread my legs wide, taking

a knot of my hair in one hand, a smudge

of your cum drying on my cheek; such sweet

obscenities. There were days, there were days

when those urges all seemed worth it; to mistreat

me was to love me … That orgasmic haze

when gods would speak … But without alcohol

those words, like those urges, came less and less.

Chekhov’s Black Monk: madness is genius, child.

Cirrhosis, though? Organs giving out? Small

little choices since I’ve stopped saying yes.

Poet without words. Detritus defiled.

][][

Notes:

Anton Chekhov’s novella, The Black Monk, talks about the destructive nature of the creative process, when the titilar Black Monk appears before the scholar Andrey Kovrin, who cannot tell if the Monk is indeed a supernatural entity or a product of his overworked insomnia, but becomes key to his mysticism, romanticism.

“My friend,” the Monk tells Kovrin, “Healthy and normal people are only the common herd. Exaltation, enthusiasm, ecstasy—all that distinguishes prophets, poets, martyrs from the common folk—[which] is repellent to the animal side of man—that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd.” Thus creativity becomes a psychic ailment concerning dreams and delusions. The romanticism of madness. “I went out of my mind,” Kovrin explains, “I had megalomania; but then I was… interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am—mediocrity.”

I am an alcoholic and have been sober for almost seven years. After 33+ years of heavy drinking I was faced with the same choice that everyone in Recovery is faced with: if I’m serious about surviving I must cut out all the “wet” places, the self-destructive habits and routines, that I used as excuses to drink. Unfortunately this also meant that I’d have to come up with a whole new creative process and that inspiration has yet to materialize. This isn’t a, “poor me,” statement, I knew from my first day at AA that I might lose my inspiration, but there didn’t seem much of a choice short of dying homeless and friendless in the Poverty Ward of my local hospital.

Can a poet even call themselves such if they cannot write poetry? It’s not that I can’t physically string words together, rather I’ve lost the urge; all those delusions of grandeur that drove me forward seem … pointless. Lust and the gods have fallen silent. Yet even this is me being kind to myself. Maybe one day I will find new inspiration … something more than just lamenting that the old ways are dead. It hasn’t happened yet, but perhaps one day. Perhaps.

itchy mouth

14 Saturday Sep 2024

Posted by babylon crashing in Disaster –- Pain –- Sorrow, Poetry, sonnet

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a shark and her boy, La Mer's occult, poem, Poetry, sonnet, stop shark finning, translation

But the language of sharks is difficult

enough to master. Few try. Few can boast,

without pheromones, or La Mer’s occult

craft, that they grok a gill flap’s flutter; most

basic sound in their ten-million year old

tongue. Their poems unfold in waves, music

few of us No-gills can fathom. I told

that joke once to a Queen Mum, a mystic

Itchy Mouth, who chortled. Get a Queen Mum

to laugh, love, and the Seven Seas are yours

until, for a bowl of soup, ten-million

years are snuffed out. Just like that: going numb

in the surf, calling and … Stand on the shores

of all the seas. Call. None will answer. None.

sumptuous

13 Friday Sep 2024

Posted by babylon crashing in Erotic, Poetry, sonnet

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cunnilingus, eat to the beat, erotic poetry, omnivore obscene, poem, Poetry, sonnet, sumptuous

At hell’s gate the damned, in turn, pace and burn.

Harvest moon came too soon for them. For us,

though, Death herself holds up her skirts to turn

so that her clit shines between shorn, beardless

lips. Like you, my sumptuous grin hide ghastly

teeth. When I grimace chipped canines suggest

that I’d rather rip meat than eat dainty

morsels. Of course that’s wrong; I can digest

anything that comes my way –– omnivore

obscene. Marking you with love bites improves

your taste. What you call hardcore makes me go

all blood-rush famished. “Eat to the Beat”? Hoar

hound, please, our hips skip, then eclipse. It proves

that we’re not damned, just hell lit and aglow.

note.

“Eat to the Beat” is the title of a Blondie record.

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