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memories of my ghost sista

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memories of my ghost sista

Tag Archives: Spanish translation

spill

12 Monday Jun 2017

Posted by babylon crashing in Erotic, Poetry, sonnet

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acid sex, erotic poetry, hold me back, mientras te estoy montando, poem, sonnet, Spanish translation, spill

Slowly summer ebbed away. There was bright
heat, sometimes green. You tutored me each day.

I was slow and you were frenzied. You would bite
my neck, scratch my back; while, “mientras te

estoy montando,” in your dad’s bathroom.
In two months you’d go to college; until

then I bent you double, pierced you to your womb,
ruined your throat until we would both spill

all that was inside. I will always be
this: dull and dim. I couldn’t follow you,

despite the español that you taught me.
I can’t find you since I’m without virtue

and you’re as real as an acid flashback.
Memory of what I want, hold me back.

][][

note:

In Spanish, “mientras te estoy montando,” translates as, “while I’m riding you.”

uncouth

09 Friday Jun 2017

Posted by babylon crashing in Erotic, Poetry, sonnet

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Afropunk, erotic poetry, off my tits, Riotgrrl, sonnet, Spanish translation, uncouth, Vulva Furiosa

I say, “She who starts with an abattoir’s

knife ends with allure.” That’s cheap. Perhaps. Love

curls in me, though: muscles, sweat, cum, bargain-

floor booze. You trace all my bruises and scars.

I’m off my tits on mandrake root, foxglove

and wormwood. Perhaps love is an omen.

Perhaps love begins as a Stone Butch; ends

in glory — We start all this with someone

who can break us by accident. My friend

who walks on goaty-girl legs and cloven

hooves, who says that she’s an uncouth butcher —

Hacker of meat — Curved fire — Gloriosa

blooms — Riotgrrl — Afropunk — “El olor

de mi coño” — Vulva Furiosa.

}{}{

note:

“El olor de mi coño” translates into “the odor of my cunt”

Quote

quote unquote

20 Sunday Mar 2016

Posted by babylon crashing in quote unquote

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David F. Richter, Federico Garcia Lorca, García Lorca at the Edge of Surrealism, quote unquote, Spanish translation


Naturalmente queen la poesía vive un problema sexual, si el poema es de amor, o un problema cósmico, si el poema busca la batalla con los abismos.

Within poetry there naturally resides a sexual problem, whether the poem deals with love or a more universal issue, or whether the poem battles with the abyss.

— Federico Garcia Lorca

Quote

quote unquote

20 Sunday Mar 2016

Posted by babylon crashing in quote unquote

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David F. Richter, Federico Garcia Lorca, García Lorca at the Edge of Surrealism, La poesía no tiene límites, Spanish translation

La poesía no tiene límites/
Poetry has no limits.

Federico Garcia Lorca

Quote

quote unquote

20 Sunday Mar 2016

Posted by babylon crashing in quote unquote

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David F. Richter, Federico Garcia Lorca, García Lorca at the Edge of Surrealism, quote unquote, Spanish translation

Ningún artista, aunque quiera ser exageradamente abstracto, puede permanecer insensible al monstruoso dolor del tiempo en que vivimos … El artista, como observador de la vida, no puede permanecer insensible a la cuestión social. ———— No artist, even if he wants to be exaggeratedly abstract, can ignore the monstrous pain inherent to the time in which we live in … The artist, as an observer of life, cannot remain insensitive to pressing social issues.

Federico Garcia Lorca

marjorie agosín’s “peces”

08 Thursday Jan 2015

Posted by babylon crashing in Poetry, Spanish, Translation

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Marjorie Agosín, Peces, poem, Poetry, Spanish translation, ZJC

Saludo a los peces del mar
respetando su milenaria
genealogía,
sus danzas fugaces y suaves,
los colores que delatan
otros colores,
sus colas iridiscentes
parecidas a los cristales
de las adivinanzas.

Brindo un vaso
de agua
por todos los peces
todavia libres
por su elegante sangre fria
y sus simetrias perfectas.

][][

I greet the fish of the sea
respecting their ancient
tribes,
their fleeting and smooth dances,
colors that reveal
other colors
their iridescent tails
like a fortune teller’s
crystal ball.

I drink a glass
water
for all fish
still free
their elegant coolness
and perfect symmetries.

Marjorie Agosín, “Fish”
– translated by ZJC

3rd winter in las vegas

01 Saturday Nov 2014

Posted by babylon crashing in haiku, Poetry

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3rd winter in las vegas, haiku, palm trees in the snow, Spanish translation

how do I love trees
of palm uprooted
in the snow?

][

¿Cómo podría yo amar a estos palmeras
desarraigadas
en la nieve?

ballad of black dread, by federico garcia lorca

28 Saturday Sep 2013

Posted by babylon crashing in Poetry, Spanish, Translation

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ballad of black dread, Federico Garcia Lorca, poem, romance de la pena negra, Spanish translation

Frenetic axes of cocks
digging in search of the dawn
when down from the dark foothills
comes Soledad Montoya.
Yellow copper of her flesh
smelling of horses and murk.
Smoky anvils of her breasts,
wailing out rounded songs.
“Soledad, who are you calling for,
all alone, at this hour?”
“Do not worry who it is,
what is this to you, anyway?
I want whatever I want,
my body and my joy.”
“Soledad, dreadful one,
the stallion that runs free
finds at last the sea
only to be swallowed by the waves.”
“Do not speak to me of the sea,
for the black dread surges out
from the land of the olive tree,
under the rustling of its leaves.”
“Soledad, what anguish you have
what horrendous pain!
You wail lemon juice,
bitter from the lips with longing.”
“Ai, what anguish! I drift
around my house,
from kitchen to bedroom,
my braids undone, on the floor.
Ai, what terror! My clothes
and flesh are fading into black.
Ai, my linen nightgowns!
Ai, my poppy thighs!”
“Soledad, wash your body
in skylark water.
Let peace into your heart,
Soledad Montoya.”

Downhill the river sings:
mantle of leaves and sky.
The new light is crowned
in wild pumpkin flowers.
Ai, the pain! Pain of the gypsies,
clean pain from a hidden stream
and from the endless dawn!

—- translation by ZJC

][][

romance de la pena negra

Las piquetas de los gallos
cavan buscando la aurora,
cuando por el monte oscuro
baja Soledad Montoya.
Cobre amarillo, su carne,
huele a caballo y a sombra.
Yunques ahumados sus pechos,
gimen canciones redondas.
Soledad, ¿por quién preguntas
sin compaña y a estas horas?
Pregunte por quien pregunte,
dime: ¿a ti qué se te importa?
Vengo a buscar lo que busco,
mi alegría y mi persona.
Soledad de mis pesares,
caballo que se desboca,
al fin encuentra la mar
y se lo tragan las olas.
No me recuerdes el mar,
que la pena negra, brota
en las tierras de aceituna
bajo el rumor de las hojas.
¡Soledad, qué pena tienes!
¡Qué pena tan lastimosa!
Lloras zumo de limón
agrio de espera y de boca.
¡Qué pena tan grande! Corro
mi casa como una loca,
mis dos trenzas por el suelo,
de la cocina a la alcoba.
¡Qué pena! Me estoy poniendo
de azabache carne y ropa.
¡Ay, mis camisas de hilo!
¡Ay, mis muslos de amapola!
Soledad: lava tu cuerpo
con agua de las alondras,
y deja tu corazón
en paz, Soledad Montoya.

Por abajo canta el río:
volante de cielo y hojas.
Con flores de calabaza,
la nueva luz se corona.
¡Oh pena de los gitanos!
Pena limpia y siempre sola.
¡Oh pena de cauce oculto
y madrugada remota!

ballad of the spanish civil guard, by federico garcia lorca

28 Saturday Sep 2013

Posted by babylon crashing in Poetry, Spanish, Translation

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Federico Garcia Lorca, romance de la guardia civil española, Spanish translation, ZJC

Black are the horses,
their horses are shod in black.
On their capes glitter
stains of ink and wax.
This is why they do not weep:
their skulls are cut in lead.
They ride the highways
with patent leather souls.
Hunchbacked and nocturnal,
they ride forth and command
the silences of dark rubber
and the fears like fine sand.
They go where they want,
and hide in their skulls
vague astronomical ideas,
amorphous pistols.

Ai, city of gypsies!
Corners hung with colors.
The moon and pumpkins
and cherries in sweet preserve.
Ai, city of gypsies!
Who could see you and not recall?
City of musks and agony,
city of cinnamon towers.

As the night was approaching
the night so deep, dark, nightish,
the gypsies at their forges
were hammering suns and arrows.
A deeply wounded stallion
knocked at each door.
Glass cocks were crowing
in Jerez de la Frontera.
The naked wind, turning
in the silver night, around
the corner with surprise,
in the night so deep, dark, nightish.

The Virgin and Saint Joseph
have lost their castanets.
They are looking for the gypsies
to see if they can help find them.
Here comes the Virgin, dressed
just like the mayor’s wife
in silvery chocolate paper,
with a necklace of almonds.
Saint Joseph swings his arms
beneath a cloak of silk.
Behind comes Pedro Domecq
and three Persian sultans.
The half moon dreamed
out an ecstasy of the stork.
And ensigns and lanterns
stormed the roof tiles.
Hipless dancers sob
in every mirror.
Water and shadow, shadow and water
in Jerez de la Frontera.

Ai, city of gypsies!
Corners hung with colors.
Quell your green lights:
for here come the Civil Guard.
Ai, city of gypsies!
Who could see you and not recall?
Let her be, far from the sea,
with no combs to hold back her hair.

To the celebrated city
they ride two abreast.
The gossip of the everlasting
invades their cartridge belts.
They ride two abreast.
A night of twin shadows in cloth.
The sky, they conclude,
a window full of spurs.

The city, unsuspicious,
unfolding its doors.
40 Civil Guards, to sack
and burn, poured through.
The clocks stopped and the brandy
bottles impersonated November
so as not to stir any suspicion.
Up rose from the weathercocks
a series of long screams.
Sabers slashed the air,
trampling under black horse hoof.
Old gypsy women tried to flee
through the half-lit streets
with their benumbed horses
and enormous crocks of coins.
Up the palisade streets
climbed the sinister capes
leaving behind brief
whirlwinds of scissors.
In the gate of Bethlehem
all the gypsies gathered.
Saint Joseph, mortally wounded,
laid a shroud upon a girl.
Sharp and stubborn, rifle
bursts rang through the night.
The Virgin healed children
with spit from a fallen star.
But the Civil Guard advances,
starting cruel fires
where the naked hope of youth
burns. Rosa, the Comborio,
sits keening at her door
with her mutilated breasts
before her on a tray.
Other girls run in horror,
pursued by their trailing braids,
in a wind exploding
with the roses of black gunpowder.
When all the tiled roofs
have been laid as furrows in the earth,
dawn rocked its shoulders about
in a long silhouette of stone.

Ai, city of gypsies!
The Civil Guard saunters away
through a tunnel of silence
leaving you in flames.
Ai, city of gypsies!
Who could see you and not recall?
Let them find you on my deep brow:
blazon of sand and moon.

—- translation by ZJC

][][

romance de la guardia civil española

Los caballos negros son.
Las herraduras son negras.
Sobre las capes relucen
manchas de tinta y de cera.
Tienen, por eso no lloran,
de plomo las calaveras.
Con el alma de charol
vienen por la carretera.
Jorobados y nocturnos,
por donde animan ordenan
silencios de goma oscura
y miedos de fina arena.
Pasan, si quieren pasar,
y ocultan en la cabeza
una vaga astronomía
de pistolas inconcretas.

¡Oh ciudad de los gitanos!
En las esquinas banderas.
La luna y la calabaza
con las guindas en conserva.
¡Oh ciudad de los gitanos!
¿Quién te vio y no te recuerda?
Ciudad de dolor y almizcle,
con las torres de canela.

Cuando llegaba la noche,
noche que noche nochera,
los gitanos en sus fraguas
forjaban soles y flechas.
Un caballo malherido,
llamaba a todas las puertas.
Gallos de vidrio cantaban
por Jerez de la Frontera.
El viento vuelve desnudo
la esquina de la sorpresa,
en la noche platinoche
noche, que noche nochera.

La Virgen y San José,
perdieron sus castañuelas,
y buscan a los gitanos
para ver si las encuentran.
La Virgen viene vestida
con un traje de alcaldesa
de papel de chocolate
con los collares de almendras.
San José mueve los brazos
bajo una capa de seda.
Detrás va Pedro Domecq
con tres sultanes de Persia.
La media luna soñaba
un éxtasis de cigüeña.
Estandartes y faroles
invaden las azoteas.
Por los espejos sollozan
bailarinas sin caderas.
Agua y sombra, sombra y agua
por Jerez de la Frontera.

¡Oh ciudad de los gitanos!
En las esquinas banderas.
Apaga tus verdes luces
que viene la benemérita.
¡Oh ciudad de los gitanos!
¿Quién te vio y no te recuerda?
Dejadla lejos del mar, sin
peines para sus crenchas.

Avanzan de dos en fondo
a la ciudad de la fiesta.
Un rumor de siemprevivas
invade las cartucheras.
Avanzan de dos en fondo.
Doble nocturno de tela.
El cielo, se les antoja,
una vitrina de espuelas.

La ciudad libre de miedo,
multiplicaba sus puertas.
Cuarenta guardias civiles
entran a saco por ellas.
Los relojes se pararon,
y el coñac de las botellas
se disfrazó de noviembre
para no infundir sospechas.
Un vuelo de gritos largos
se levantó en las veletas.
Los sables cortan las brisas
que los cascos atropellan.
Por las calles de penumbra
huyen las gitanas viejas
con los caballos dormidos
y las orzas de monedas.
Por las calles empinadas
suben las capas siniestras,
dejando atrás fugaces
remolinos de tijeras.
En el portal de Belén
los gitanos se congregan.
San José, lleno de heridas,
amortaja a una doncella.
Tercos fusiles agudos
por toda la noche suenan.
La Virgen cura a los niños
con salivilla de estrella.
Pero la Guardia Civil
avanza sembrando hogueras,
donde joven y desnuda
la imaginación se quema.
Rosa la de los Camborios,
gime sentada en su puerta
con sus dos pechos cortados
puestos en una bandeja.
Y otras muchachas corrían
perseguidas por sus trenzas,
en un aire donde estallan
rosas de pólvora negra.
Cuando todos los tejados
eran surcos en la sierra,
el alba meció sus hombros
en largo perfil de piedra.

¡Oh ciudad de los gitanos!
La Guardia Civil se aleja
por un túnel de silencio
mientras las llamas te cercan.
¡Oh ciudad de los gitanos!
¿Quién te vio y no te recuerda?
Que te busquen en mi frente.
Juego de luna y arena.

ballad of the doomed man, by federico garcia lorca

28 Saturday Sep 2013

Posted by babylon crashing in Poetry, Spanish, Translation

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Ballad of the Doomed Man, Federico Garcia Lorca, Poetry, romance del emplazado, Spanish translation

My fretting solitude!
The small eyes of my body
and the great eyes of my mare
do not shut out the night;
do not gaze faraway to see
a dream of 13 boats
toddle along peacefully.
Instead, as squires at vigil,
are clean and hard.
My eyes look toward the north
to the precipices and metals
where my body of no arteries
consults a frozen deck of cards.

Massive water oxen
charge at the schoolboys
bathing in the moons
of their fermenting horns.
Hammers were singing
on hypnotic anvils
insomnia of rider,
insomnia of horse.

On the 25th of June
they told El Amargo:
“The time has come to cut down
the oleanders out in your yard.
Paint a cross up on your door,
put your name beneath
for nettles and hemlock
will sprout from your haunch,
and needles of dewy lime
will gall through your boots.
When at night, in darkness,
over magnetic hillocks
where the water oxen
dreamily drink up the reeds.
Ask for the candles and bells.
Learn how to cross your hands
and taste the numbing winds
of precipices and metals:
for in two months from now
you will lie under a shroud.”

Santiago swings his sword,
astral, stellar, across the sky.
Dismal silence flows
out of an arching heaven.

On the 25th of June
El Amargo opened his eyes,
on the 25th of August
he lay down and closed them tight.
Men were bustling about the street
to see the man who was to die,
who fixed against the wall
his solitude, now feckless.
And the righteous sheet,
with its hard dactyl of Rome,
gave self-restraint to death
by the straightness of its edges.

—- translation by ZJC

][][

romance del emplazado

¡Mi soledad sin descanso!
Ojos chicos de mi cuerpo
y grandes de mi caballo,
no se cierran por la noche
ni miran al otro lado
donde se aleja tranquilo
un sueño de trece barcos.
Sino que limpios y duros
escuderos desvelados,
mis ojos miran un norte
de metales y peñascos
donde mi cuerpo sin venas
consulta naipes helados.

Los densos bueyes del agua
embisten a los muchachos
que se bañan en las lunas
de sus cuernos ondulados.
Y los martillos cantaban
sobre los yunques sonámbulos,
el insomnio del jinete
y el insomnio del caballo.

El veinticinco de junio
le dijeron a el Amargo:
Ya puedes cortar si gustas
las adelfas de tu patio.
Pinta una cruz en la puerta
y pon tu nombre debajo,
porque cicutas y ortigas
nacerán en tu costado,
y agujas de cal mojada
te morderán los zapatos.
Será de noche, en lo oscuro,
por los montes imantados,
donde los bueyes del agua
beben los juncos soñando.
Pide luces y campanas.
Aprende a cruzar las manos,
y gusta los aires fríos
de metales y peñascos.
Porque dentro de dos meses
yacerás amortajado.

Espadón de nebulosa
mueve en el aire Santiago.
Grave silencio, de espalda,
manaba el cielo combado.

El veinticinco de junio
abrió sus ojos Amargo,
y el veinticinco de agosto
se tendió para cerrarlos.
Hombres bajaban la calle
para ver al emplazado,
que fijaba sobre el muro
su soledad con descanso.
Y la sábana impecable,
de duro acento romano,
daba equilibrio a la muerte
con las rectas de sus paños.

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