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memories of my ghost sista

~ the dead are never satisfied

memories of my ghost sista

Tag Archives: Poetry

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“Revenge” by Elisa Chavez

06 Friday Jan 2017

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elisa chavez, Poetry, queer as fuck, reblog, revenege, the seattle review of books

Since you mention it, I think I will start that race war.

I could’ve swung either way? But now I’m definitely spending
the next 4 years converting your daughters to lesbianism;
I’m gonna eat all your guns. Swallow them lock stock and barrel
and spit bullet casings onto the dinner table;

I’ll give birth to an army of mixed-race babies.
With fathers from every continent and genders to outnumber the stars,
my legion of multiracial babies will be intersectional as fuck
and your swastikas will not be enough to save you,

because real talk, you didn’t stop the future from coming.
You just delayed our coronation.
We have the same deviant haircuts we had yesterday;
we are still getting gay-married like nobody’s business
because it’s still nobody’s business;
there’s a Muslim kid in Kansas who has already written the schematic
for the robot that will steal your job in manufacturing,
and that robot? Will also be gay, so get used to it:

we didn’t manifest the mountain by speaking its name,
the buildings here are not on your side just because
you make them spray-painted accomplices.
These walls do not have genders and they all think you suck.
Even the earth found common cause with us
the way you trample us both,

oh yeah: there will be signs, and rainbow-colored drum circles,
and folks arguing ideology until even I want to punch them
but I won’t, because they’re my family,
in that blood-of-the-covenant sense.
If you’ve never loved someone like that
you cannot outwaltz us, we have all the good dancers anyway.

I’ll confess I don’t know if I’m alive right now;
I haven’t heard my heart beat in days,
I keep holding my breath for the moment the plane goes down
and I have to save enough oxygen to get my friends through.

But I finally found the argument against suicide and it’s us.
We’re the effigies that haunt America’s nights harder
the longer they spend burning us,
we are scaring the shit out of people by spreading,
by refusing to die: what are we but a fire?
We know everything we do is so the kids after us
will be able to follow something towards safety;
what can I call us but lighthouse,

of course I’m terrified. Of course I’m a shroud.
And of course it’s not fair but rest assured,
anxious America, you brought your fists to a glitter fight.
This is a taco truck rally and all you have is cole slaw.
You cannot deport our minds; we won’t
hold funerals for our potential. We have always been
what makes America great.

—
Revenge by  Elisa Chavez, The Seattle Review of Books

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quote unquote

03 Tuesday Jan 2017

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De Profundis, Poetry, quote unquote, Walter de la Mare

You will not be cold there;
You will not wish to see your face in a mirror;
There will be no heaviness,
Since you will not be able to lift a finger.
There will be company, but they will not heed you;
Yours will be a journey only of two paces
Into view of the stars again; but you will not make it.

Walter de la Mare, De Profundis

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women’s day poetry

08 Tuesday Mar 2016

Posted by babylon crashing in Poetry News, quote unquote

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feminist literature, poems, Poetry, poetry.org, reblog, women's day

in celebration poetry.org presents a selection of poems that have helped shape our modern American literary landscape:

“Still I Rise” by Maya Angelou
“homage to my hips” by Lucille Clifton
“Dear March – Come in – (1320)” by Emily Dickinson
“[we fight back to control the outside]” by kari edwards
“Cherry Stems” by Kimiko Hahn
“Lais” by H. D.
“The Black Unicorn” by Audre Lorde
“Page 39 / arrives early for the date” by Harryette Mullen
“Ode of Girls’ Things” by Sharon Olds
“The Anactoria Poem” by Sappho
“Her Kind” by Anne Sexton
“Alphabet of Mother Language” by Anne Waldman

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quote unquote

20 Saturday Feb 2016

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Poetry, quote unquote, unreturned love, Walt Whitman

Sometimes with one I love I fill myself with rage for fear I effuse unreturn’d love,
But now I think there is no unreturn’d love, the pay is certain one way or another
(I loved a certain person ardently and my love was not return’d,
Yet out of that I have written these songs).

Walt Whitman

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quote unquote

20 Saturday Feb 2016

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Poetry, quote unquote, Walt Whitman

I saw in Louisiana a live-oak growing,
All alone stood it and the moss hung down from the branches,
Without any companion it grew there uttering joyous leaves of dark green,
And its look, rude, unbending, lusty, made me think of myself,
But I wonder’d how it could utter joyous leaves standing alone there without its friend near, for I knew I could not,
And I broke off a twig with a certain number of leaves upon it, and twined around it a little moss,
And brought it away, and I have placed it in sight in my room,
It is not needed to remind me as of my own dear friends,
(For I believe lately I think of little else than of them,)
Yet it remains to me a curious token, it makes me think of manly love;
For all that, and though the live-oak glistens there in Louisiana solitary in a wide flat space,
Uttering joyous leaves all its life without a friend a lover near,
I know very well I could not.

Walt Whitman

sheds

14 Monday Dec 2015

Posted by babylon crashing in Erotic, Poetry, sonnet

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cunnilingus, dashtani, erotic poetry, heavy flow, menses, poem, Poetry, sheds, sonnet

Tonguing, leaving streaks between your cloven
lips, the spots where blushes and bruises bloom,

even during your heavy flow. Back then,
you said, you’d hide away in the bathroom.

Blood in your panties, soaked into your jeans,
and how everyone smirked. In the old tongue

even the word for menstruating means
hidden away, dashtani. “I was young,”

you said, “and Soviet-era tampons?
I’d just stay home.”
Now you press on my face,

here in the bathtub, as your uterus
sheds. I have streaks on my chin, red and bronze,

my tongue working you to a state of grace,
delving deep between your clit and anus.

][][

In Armenian, the word for menstruating, dashtan, (դաշտան), is the same root word for separation, dashtani (դաշտանի).

bloom

14 Monday Dec 2015

Posted by babylon crashing in Erotic, haiku, Poetry

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erotic haiku, haiku, Poetry, wheel chair

 

 

 

 

I touch the wet spot
where once you beat inside me
where bruises now bloom

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quote unquote

24 Tuesday Nov 2015

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ask for, linda hogan, oceans of stars, Poetry, reblog, sheismadeinpoland

This life in the fire, I love it.
I want it,
this life.

Linda Hogan, from “The History of Red,” The Book of Medicines (Coffee House Press, 1993)

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իմ երկար անձրեւոտ եղանակ

28 Wednesday Oct 2015

Posted by babylon crashing in Armenia, haiku, Poetry, quote unquote

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Armenian translation, long rainy season, poem, Poetry, reblog, tanka

haykakanerotika:

իմ կրծքեր,

իմ բեռը —

իմ երկար անձրեւոտ եղանակ

im krtsk’yer,

im berry —

im yerkar andzrevot yeghanak

my breasts

my burden —

my long rainy season

ふところに乳房ある憂さ梅雨長き

(Nobuko Katsura, Japan)

Other translations of this poem:

The nuisance

of breasts –

a long rainy season

(Leza Lowitz)

gloom in my bosom

comes about by means of breasts

long monsoon rains

(Kala Ramesh)

Quel ennui,

ces seins!

Longue saison des pluies.

(French translation by Dominique Chipot & Makoto Kemmoku)

Dieser Schmerz, unter dem Kleid

meine Brüste zu spüren –

Regenzeit, so lang!

(German translation Oskar Benl, Géza S. Dombrády and Roland
Schneider)

乳房

的累赘 –

一个漫长的雨季。

(Chinese translation by Chen-ou Liu, 劉鎮歐)

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the children of arba lijoch

19 Monday Oct 2015

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Arba Lijoch, Armenian Genocide, Haile Selassie, jah and armenia, Metz Yeghern, Poetry, reblog, sonnet

gyumriboy:

ghostsista:

— for Kwame Dawes

Crown Prince Ras Tafari brought the children
of Arba Lijoch out of the desert —

Orphans who became Ethiopian,
who sang of the Metz Yeghern, the Great Hurt;

composed, “Marsh Teferi,” the first music
Marcus Garvey heard while in audience.

I, too, have heard of, “Natural mystic
blowing/ through the air,”
Ararat’s fragrance

in each word. I’m told, Babylon crashing.
Where in Kingston is the orchestral sound

of Addis Ababa? — I listen — I
listen, but the dance halls tell me nothing.

The ghosts of Van hang low in the background.
Who will sing their song? Tell their prophesy?

Notes:
Arba Lijoch were a group of forty Armenian orphans who had escaped from the 1915 atrocities in Turkey, and were afterwards adopted by Haile Selassie I of Ethiopia. He had met them while visiting the Armenian monastery in Jerusalem; they impressed him so much that he obtained permission from the head of the Armenian church, the Catholicos, to adopt and bring them to Ethiopia, where he then arranged for them to receive musical instruction. The Arba Lijoch arrived in the capital city, Addis Ababa, in 1924, and along with their conductor, Kevork Nalbandian, became the first official orchestra of the nation. Nalbandian also composed the music for Marsh Teferi (words by Yoftehé Negusé), which was the Imperial National Anthem from 1930 to 1974. Metz Yeghern is the Armenian word for their Great Calamity, their genocide.

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