moonstruck

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“You calmly hushed me,
taking away my barbarous ways.”

— Bunny Keiko (2005)

Bunny Keiko and her “mystical fuck”
reminds me of “The Woman Who Married
A Ghost Boy.”
A widow became moonstruck
with a fey boy’s ghost. All ghosts need to feed
but what good is mother’s milk to the dead?
He hoped to please her, as any lover
would try; but he died a virgin, unfed
and lost and wasn’t much good with pleasure,
giving or taking. They didn’t despair,
though, with his wet hand prints in her panties,
her big ass, her small toes; she loved going
down on him, hard. Which is why their affair
makes me smile and reminds me of Bunny’s
poem on love and mystical fucking.

among alien gods

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Anaba and the Quetzal

Anaba and the Quetzal

“sinaháse nagée nagée alíli kat
bïtása/ a’yeyeyeyahai`”
Navajo
protection song.

At the other border crossing I shall
be stopped and so shall we all. “Now, slayer
of the alien gods am I.”
Quetzal
sits in my left hand. The jaguar’s furor
stretches far flung over us. “Now among
alien gods with weapons of magic
am I.”
Now all the jaguar’s furor, flung
far out, am I. Now the quetzal, homesick
and blue, am I. At the other border I
shall be stopped by alien gods, foolish
in all that they do and try to condemn.
We all cross, one way or anther, why
make this hard? I pray: go in peace: the wish
I give your gods before I destroy them.

myth and porn

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Just like a Disney princess, Pasiphae,
cuckold King Mino’s wife, kept a wild beast
as a lover. A white bull from the sea. One day
the queen had built a great wooden cow, greased
herself, lay waiting in its oak darkness,
primed. The world is full of lore of women
who train beasts “to perform the services
of men;”
real stud fees; again and again.
Ovid’s tale of the Minotaur was not
just a warning, he aimed to titillate
with the details; how a mother begot
her son with a bull’s cock, fiend at the gate.
Once done Ovid leaves her, pregnant, forlorn;
proving there’s scant difference in myth and porn.

rumi’s “the importance of gourd crafting”

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The Sufi mystic, Jalal ad-Din Rumi, tells this story of the dangers of letting the animal in you run wild, literally. I have heard some commentators talk about how it is a metaphor for self-restraint, and perhaps it is, but it also seems to serve as porn, that is, “art for the purpose of sexual gratification,” as the dictionary so blandly puts it, as well.

Mythology seems full of such stories; Zeus only appears as an animal when he takes it into his head to impregnate a mortal. They say it is because his “godly figure” would be too awe inspiring otherwise, but if you are a god with unlimited powers that answer seems a tad convenient. This all leads to the question of how often were shepherds and shepherdesses caught enjoying the flesh of their flock before “that’s not a bull, that’s a god in bull-form” became the standard response?

There was a maidservant
who had cleverly trained a donkey
to perform the services of a man.

From a gourd,
she had carved a flanged device
to fit on the donkey’s penis,
to keep him from going too far into her.

She had fashioned it just to the point
of her pleasure, and she greatly enjoyed
the arrangement, as often as she could!

She thrived, but the donkey was getting
a little thin and tired looking.

The mistress began to investigate.
One day she peeked through a crack in the door
and saw the animal’s marvelous member
and the delight of the girl
stretched under the donkey.

She said nothing. Later, she knocked on the door
and called the maid out on an errand,
a long and complicated errand.
I won’t go into details.

The servant knew what was happening, though.
“Ah, my mistress,” she thought to herself,
“you should not send away the expert.

When you begin to work without full knowledge,
you risk your life. Your shame keeps you
from asking me about the gourd, but you must
have that to join with this donkey.
There’s a trick you don’t know!”

But the woman was too fascinated with her idea
to consider any danger. She led the donkey in
and closed the door, thinking, “With no one around
I can shout in my pleasure.”

She was dizzy
with anticipation, her vagina glowing
and singing like a nightingale.

She arranged the chair under the donkey,
as she had seen the girl do. She raised her legs
and pulled him into her.

Her fire kindled more,
and the donkey politely pushed as she urged him to,
pushed through and into her intestines,
and, without a word, she died.

The chair fell one way,
and she the other.

The room was smeared with blood.

Reader,
have you ever seen anyone martyred
for a donkey? Remember what the Qur’an
says about the torment of disgracing yourself.

Don’t sacrifice your life to your animal-soul!

If you die of what that leads you to do,
you are just like this woman on the floor.
She is an image of immoderation.

Remember her,
and keep your balance.

The maidservant returns and says, “Yes, you saw
my pleasure, but you didn’t see the gourd
that put a limit on it. You opened
your shop before a master
taught you the craft.”

(tr. Coleman Barks)

ghostly needs

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If you can please a cat then you can please
a ghost, I believe. They’re so similar.
Cats. Ghosts. Sharks. Killers that love their bellies
scratched. I’ve touched shark snout, ghost skin and cat fur.
I could lie, tell you that I understood
what was under my hand. I could, perhaps.
Cats and ghosts both seek out love: that odd, good
human talent, but once they have it lapse
into indifference. Sharks are simply
curious and like to play. But knowing
that, I know nothing. I love mystery
but I can’t explain it. I can just sing.
Of cats’ ghostly needs, the kitten-like ghost
prowling, the shark’s soul that I love the most.

pat parker (1944-89)

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author of woman slaughter

author of “woman slaughter”

Dear Pat: I miss you! There are time, alone
at night, when I hope that your ghostly scent
will fill the air. You’ll laugh, say how I’ve grown
and I’ll laugh too, and say how you haven’t.
I’ll ask you how Audre and Adrienne
are and you’ll say just fine. Then you will read
something new you have written and I’ll grin
and cheer at all the right parts. Death has freed
you from many things, but not from a warm
audience. Pat, I wait, this fey, whitest
of white boys, who loves you, loves to perform
your work; calls you superfine, the dearest.
You taught me the power of words, laughter,
respect and why I miss my big sister.

delfy gochez fernandez

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Delfina Gochez Fernandez (1979)

Delfina Gochez Fernandez (1979)

If you never knew Delfi, that’s too bad.

See, I was talking with her yesterday.
She was teasing me, calling me “Comrade
Gringo,”
due to my accent. Anyway,
we were catching up, the way old friends do
when they haven’t seen each other in years.

“When you die,” she said, “that era’s hairdo
will haunt you like a ghost.”
Delfi still sneers
at the dictators of El Salvador.

She was murdered when I was only nine,

but that hasn’t slowed my friend down. “I said,
how can the living or the dead ignore
all our people’s troubles? There are divine
struggles that don’t stop just because you’re dead.”

mujeres que hacen la revolucion

mujeres que hacen la revolucion

mujeres que hacen la revolucion

mujeres que hacen la revolucion

after reading a poem about how monogamy is “the bourgeois prison”

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“When lovers moan,
they’re telling our story.
Like this.
When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us.
Like this.”

— Jalal ad-Din Rumi
(tr. Coleman Barks)

* * *

It’s so hard to transform monogamy
into wild verse. It just sits in your mouth
like you have been gargling balls. Prissy
folk are all for it in the same way drought
loves its sunny days. This isn’t to say
polyandry is much better. In fact
it’s just the flip side of the coin; cliche
among radicals. But if you subtract
your damn ego — if you’re doing all this
for your Friends, your Others, your Shams — your verse
will be wild, child; no matter what your bliss
looks like. Do not turn love into a curse,
like those who try to define it. Freedom
looks like nothing I’ve found in your poem.

deathbed

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Forgive me if I laugh, too, Grand Ma’ma.
You are so set in your ways, yet so wrong.
Look at me, I’m all rib bone and lockjaw.
But I know eternity isn’t long
enough for all that crazy love offers.
So what if your lovers were all bastards?
They’re not here. It’s your ego that whispers
in your ear. I lost mine with my innards.
Ego says you’re too old, too gray, too set
in your ways for love. I died at fifteen.
Age is so meaningless. I’ve made you wet
and sweat and scream out words that are obscene.
Nostalgia is meaningless to the dead.
Come back. Without love this a deathbed.

a response to enrique diez-canedo’s “la bruja joven”

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“al que a tu misterio de acercarse trata,
le halagas primero, después le rasguñas.”

— Enrique Diez-Canedo

For a certain type of man it’s easy
for him to transfer all his vast loathing
of girls and women into a story
about witches. Because he is living
in a world that does not value women,
he knows no one will challenge him when he
defames the craft. “You are foul;” “In the glen
you dance the Witches’ Sabbath;” “Devilry
is your love.”
Really? I have a mother
and a sister and a witch lover, too.
Let me tell you, Enrique, you’re a liar
and an asshole. A man without a clue.
Get this: the only sin we have is hate;
that which makes us the devil’s advocate.