war loves you

23 Saturday Feb 2013

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war loves you

To love war is to resurrect it out
of stone, to fondle it from head to toe,
until war’s body and blood, a burnout
cypher, a hex, a woe, begins to glow.
To love war is to turn its ash-blown night
into a deep crater, somewhere a hawk
can roost down in. Craters in the moonlight;
inside war wears kick boots and a mohawk.
To love war is to give up your bizarre
heart for copper wire, chrome tubes. Can you, who
loves, say what love is? No, it just is. War
doesn’t know either, but it loves you, too.
Like all love it presses its blade, pointed,
sharp, to your heart until you’re drained of blood.

puppets burn

23 Saturday Feb 2013

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Season’s fire enters and I burn. Always
flame; this does not get easier. Aunty,
where is a spring of hope when I’m ablaze?
Where is hope when the one I love leaves me?
All our old men talk of love like they talk
of all things; narrowly. Hell’s nothingness
is far better than a broken heart. Cock
and cunt. Ass and mouth. I am a chalice
boy; born in a pentagram. Take this smudge
stick, Aunt, take this bone bolline. We shall cut
it out. This fire. This heart. This pain. Carnage
in bed. Now cut the strings to this puppet.
Puppets burn. The one I loved left, I bloomed
into fervor, wanting to be consumed.

wait

23 Saturday Feb 2013

Posted by in Feminism, Illustration and art, Poetry, sonnet

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waiting for themyscira

waiting for themyscira

* * *

“He says, it
cannot be done,
But it is given,
(and mostly as punishment).”
— Wong Amy, A Lesson

You might have left for the Himalayas
or the island of Themyscira, somewhere

I won’t go. But you didn’t. The Muses
know I will never find the rhyme to share
your fate with the world. You were a creature

of war. I valued peace, provided I
didn’t have to give up any leisure

comforts. I know why you left. I know why

I stayed, too. The flip side. I use to brag
that long ago I’d be burned as a witch.
How posh. What airs. But that ignores our fate.

You will always know blood lust, while I’ll drag
my feet in this world and the next. I’ll bitch

but you’ll hear the call. You’ll go and I’ll wait.

* * *

Note:

Themyscira is the fictional island where, according to DC Comics, Wonder Woman and her sister Amazons came from.

thurisaz

22 Friday Feb 2013

Posted by in Erotic, Poetry, sonnet

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I’m a machine, and I could know much more.

Careless smiles and guileless graces are mine.

I’m split in two; like a wind-up centaur
or a clockwork sphinx, digital moonshine
or an island lost between day and night.

We half things. We projects someone else soon
started then got bored. Naked in firelight

my bat wings fit me. Why wings? Why the rune
for war — war and chaos — thurisaz — carved
in my skin? Naked I look human-made.

A thing for war. Beautiful, save a scar

where they turned me on. You blood; you have starved

me for years. Half thing hungry and afraid;

built to fight for the peace that comes from war.

* * *

Notes:

The first line, “I’m a machine, and I could know much more,” comes from the re-imagined television show Battlestar Galactica, where one of the Brother Cavils moans that of all the ways to experience the universe he ended up in a human’s body.

Thurisaz is a Norse rune literally translated into, “Thor-is-as.” Various authors have claimed this is a reference to the rebel giants, the god of war himself, as well as simply meaning thorn.

um tarot suja: the fool

22 Friday Feb 2013

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Um Tarot Suja: Fool [final draft]

Um Tarot Suja: Fool [final draft]

Um Tarot Suja: Fool [rough draft #1]

Um Tarot Suja: Fool [rough draft #1]

Um Tarot Suja: Fool [rough draft #2]

Um Tarot Suja: Fool [rough draft #2]

I had been working on a tarot deck a couple of years ago, Um Tarot Suja, a sex magic deck (or at least that was the idea going into the project). I wanted to stay relatively faithful to the Rider-Waite deck. So, as they say in The Sound of Music, we’ll start at the beginning.

It helps me, at least, to think of the tarot as a narration of a spiritual journey, each card progressing down the path, as it were. The first card, The Fool, has a care-free youth starting out with his/her head in the sky, not paying attention to the abyss at they are about to plunge into. At their feet is a small animal (usually a yapping dog) which tries to get the Fool’s attention. We’ve all been there, starting out on a project full of excitement and idealism, having no idea what is in store for us.

My first two attempts (the bottom two cards) had the Fool stepping out into the (literal) darkness of the unknown. There isn’t a cliff, just the nothingness of the unknown, stepping into a blackness that has no form or shape. In the two cards both women have their hands stretched out to their spirit guides, a cat and a fox (what can I say? I like cats and foxes) and while technically either card to constitute as a Fool, neither really satisfied.

The final draft has the Fool transported to a unpleasant, godforsaken alien landscape (Utah) and the abyss, the start of our journey, is a stairway to (wait for it) the heavens. The Fool must take her first step up the stairs and into the unknown, accompanied by her guide, but once she does she can go anywhere in the universe she wishes, both literally and metaphorically.

[crypter] [crypter] [crypter]

22 Friday Feb 2013

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gynoid

“Crypter, crypter, crypter.” “Clear.” It is right

here. The whorl in my ear. The whirl in my
dread. A smear of Morning Star by starlight.

A touch of evil, perhaps. Which is why
it is hard to believe in it. Evil.

I’ve taught it to sit, roll over, play dead.
I read it Shakespeare. It has no menstrual
cycles, though it leaks. What flows is blood red
and grease. Gears. Oil. It’s queer innards. But “it”?

Designed to look female. I’ve been inside.

Touched its cogs. Tightened screws. It just says, “shit,

man, a machine is a machine …” Its cried.

I know that. Tears are also tears. I know

there is more here than chrome and an afro.

harlem’s passions

21 Thursday Feb 2013

Posted by in Erotic, Poetry, sonnet

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Hang it [up]. Fifteen and catechistic.
Sixteen and masochistic. Seventeen
with your fatalism. Eighteen odd sick
years. I’m down on Harlem, who sighs between
my thighs. Soixante neuf, as the French like it.
We like it too. Harlem runs her fingers
through my hair. Somewhere out there the spirit
of the southern witches is singing hers
to life, “twice burned britches.” Aren’t we all, ma’am?
sing for Marie Laveau on St. John’s Eve.
Sing for Harlem’s passions and the red lamb
that rides the night of the ram. Sing and leave.
We’re done. Harlem is all over my face.
Lick me clean, lover, down to the last trace.

* * *

Notes:

Marie Laveau (1794 – 1881) was a New Orleans priestess of Voodoo, renowned in her time throughout all of Louisiana.

St. John’s Eve is on June 23-24.

nox diva

20 Wednesday Feb 2013

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I am the mildest of creatures, spell-bound,
gossamer, a thorn jutting. The nox diva

inside the mushrooms growing on the mound
where I buried you. First there is nausea,
sweats, my gut turning. Then you open up

inside my skull-bone; a whiskey cactus,
melting. A mushroom is like a polyp;

I’ve found both on you. I turn, like Horace,
into your well-mannered court slave. Ghost slave.

Slave of a ghost. Each time you slide into
my mouth you leave part of yourself behind.

One day I’ll consume you all. Then your grave
will stand empty. I can’t let go of you,

no-no, even if I was so inclined.

* * *

Notes:

Nox diva is my attempt at translating the phrase “night goddess” into Latin.

Horace was one of Rome’s greatest poets, one whom the English poet John Dryden dismissed as “a well-mannered court slave.”

one more reason george lucas does not deserve your money

20 Wednesday Feb 2013

Posted by in Illustration and art, Poetry News

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female rebel never to be 1

female rebel never to be 2

female rebel never to be 3

Three rebels that didn’t make the cut.

* * *

In the first movie none of the heroes had skin darker than goat’s milk and there was only one token female, but she needed saving (which is odd, since Princess Leia, being Luke’s twin, theoretically could have saved herself if she had wanted to “trust her feelings.”) In the second movie it turns out there is only one black man in the entire universe … and he’s a con man. In the third movie there are some women with no speaking lines that appear in the beginning of the movie but they’re answering telephones in the background (making them more or less intergalactic secretaries, you’ve come a long way, baby). Women do not fly spaceships in the Star Wars universe. They don’t get glowing swords or have heroic music played in the background as they blow things up. Space … it’s a man’s place.

Except that this wasn’t always true. It might have taken George Lucas three films to get there but there were three female rebel pilots in the last of the movies, which were cut in the last minute. Huh.

You can say the movies reflected 1970s thinking, if you want to. You can say they helped expand the science fiction genre and gave children in China jobs by cranking out all the plastic crap Lucas sold (I’m not joking here, if you bought a toy in the 1970s with “made in China” on the back it came from a sweatshop) but selling Star Wars to Disney for $4 billion dollars? That’s just obscene.