vote in lust

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You found her at the Double Down Saloon.
She seemed sweet, playful, but that brew, ass juice,
could make a saint out of anyone. Soon
you and your boyfriend are calling a truce
to take her home. Open relationships
work, at times. Tonight she wants to submit.
You bind her hands in silk while he unzips
her skirt, his cock deep in her throat. Her clit
pulses. Her inner walls sweat. There’s no vote
in lust, sex is not a democracy;
yet you still believe in that illusion
called free-will. He pulls out of her throat
as you strap your strap-on on; as you three
all share a moan of anticipation—-

pig roast

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What was awkward wasn’t the need, wasn’t
just the will, it was the way that the straight

guy made it clear that he had consented
to this only to fuck your wife. The eight

shots of vodka that the three of you split
should have loosened things up, but no. You both

take a place beside her. He will submit
to her deep throating him down. But he loathes

the thought that he might be forced to kiss you.
Perhaps she’s watched too much porn. Perhaps she’s

blind to the clues. But with your cock in her
mouth and his in her ass she grins at you

both with joy. This is what she wants: boy grease,
cum, sperm, pig roast with two men, two lovers.

get laid

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Bravado in bed is bad —- Bravado
in verse is worse. “I’ll make you scream, I’ll make

you cream.” Then what? You’ll steal my spleen? I know,
Poe, lust is cruel when we wake with an ache

we just can’t soothe. But no one cares about
affairs. Trysts with poltergeists at least shows

labored thought outside the box, but I doubt
it would occur to you, since your great woes

are all about not getting laid. “Get laid.”
It’s what chicken eggs do. Put down the pen.

Do you want love? This is what you shall do—-

“Love the earth and sun
and the animals, despise
riches, give alms to everyone
that asks, stand up for the stupid
and crazy, devote your income
and labor to others, hate tyrants,
argue not concerning God,
have patience and indulgence
toward the people, take off
your hat to nothing known
or unknown or to any man
or number of men, go freely
with powerful uneducated
persons and with the young
and with the mothers of families,
read these leaves in the open air
every season of every year
of your life, re-examine all
that you have been told
at school or church or in
any book, dismiss whatever
insults your own soul,
and your very flesh shall be
a great poem and have
the richest fluency not
only in its words but
in the silent lines of its lips
and face and between
the lashes of your eyes
and in every motion
and joint of your body.”

—-do that once more. You’ll never get betrayed

by love again. You will be love again.

You’ll walk this earth burning, mad, fiery.

][][

notes:

The long quote in the middle is from Walt Whitman’s introduction to his massive poem, “Leaves of Grass.” It’s one of the best moral codes I’ve ever read.

the problem with the summer of love

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It’s not the cock rock, the hinted blow jobs,
the bell bottoms, it’s the dishonesty.

What gets left out: Pox, Crabs, Corn on the Cob,
Bugs in a Rug, Hippie Herpes, Jenny

Warts. What gets left in: the glorious fun
sex can be. I’m all for holy fucking;

but if you have no words for abortion
or rape or STDs, then you’re selling

something. All revolutions are just lies
told by the winning side, since we’re still slut

shaming, still denying women their rights
to their bodies. Somewhere between your thighs

lies the mystery. We need new words. Smut
can be sublime but honesty excites.

silver and copper

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“The Goddess wept”
—- Amy Lowell

Amy, we should have freed her fluted wings
fastened to her sides, warmed her nude body,
dried her eyes. A goddess is weeping. Things
that should not happen are. In the city
market was where you found her. Men dickered
for her, bargained in silver and copper;
calling their bids across the dishonored
market air. Amy, we should have freed her;
her flash of wings, her shiver of saffron,
quartz and blue-indigo. Don’t hide your face.
Don’t flee along narrow streets
with the wind hissing behind you. These men
can be beaten bloody. We’ll restore grace
back to her. We’ll free all that man mistreats.

come away

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But you’re not a fox-witch, so maybe
it wasn’t how you handed him your damp
bloomers, it was that you had on any
at all. Maybe it wasn’t your half-vamp
eyes, your toothy smile. Maybe that which
bewitched him was when you said: come away.
Maybe. You, who aren’t fox or witch,
had gone out in first light and found this stray
man-cub. “Come away, O human foundling,
to my den in the hills.”
All that fogbound
winter he slept naked in your arms. “My
little toy,”
you called the boy. “My play thing.”
Maybe he loved your wicked smile when he found
that your bloomers were damp. We all know why.

wet silk

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The first time I slipped a finger inside
you was on a cross-country bus trip. You
sung “Me and Bobby McGee” to me, cried
when you climaxed. None of the sleepers who
sat all around us saw you lick your own
pleasure off my fingers. The second time
you were a new mother. We were alone,
you had just fed your baby. Your sublime
nipples called for sloppy seconds. Your milk
tasted sweet, warm, leaving a rapture smear
across my lips. As I sucked sucked greedy,
as I found your spot, melting like wet silk,
as you said, “suck hard, put your mouth right here,
put your tongue in me, put yourself in me …”

crude gospel

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What, you asked, goes with fright-wigs, kick boots, doll
pink smeared lipstick? —- Wear the blue nondescript

ones, they’re less immodest than none at all,
or would be if they weren’t just a touch ripped

down the middle of your sensitive groove.
Funk it ain’t: this kinderwhore look that you

took to like crude gospel, as if to prove
that you just didn’t give a schmuck-fuck who

saw what. We’ve all been there, once or twice. When
the earth was new —- faith still uninvented —-

passions of things hadn’t had time to cool —-
and we were loved —- before the rise of men.

I love you with or without your wig, blessed
because you are brave and funny and cruel.

][][

notes:

Looking back on certain fads and fashions that once seemed radical and important it amazes me at times of how we ever took things seriously. The kinderwhore look is one of those fads, consisting of torn, ripped baby-doll dresses, heavy makeup and leather Doc Martin boots of various colors. Various female punk/grunge musicians during the early to mid 1990s wore the look, including Kim Shattuck of the Muffs, Courtney Love and Kat Bjelland from Babes in Toyland. Why my friends and I thought that this was the greatest look since the invention of tight leather trousers I’m still not sure, but it seemed to make sense at the time.

the song of the witch from prague

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“I beat you with a hazel rod,” the Witch
of Prague once sang. “Come to me in madness.”

Come, come, these are love-charms that will bewitch
any heart that you long for. Blasphemous

some call it, but what love is not born in hell?
“I beat you with a bloodstained rod,” the Prague

Witch once sang. “Come to me like a gazelle.”
Come, come, I was her student, her love-dog,

these love-charms works. “I beat you with a rod
from the Tree of Gehenna,”
my mother

witch once sang. “Come to me like a wild boar.”
I did—-I did—-I did—-with nails that clawed,

teeth that bit. These charms will make your lover
feel the sting on naked flesh and want more.

open mic poetry reading

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The rich, we’re told, suffer just like the poor,
except that they have paychecks from the New
Yorker and dental insurance. The war
of the classes, we are told by those who
were once poor but now rich, shouldn’t appear
in your work. What if the Academy
one day likes you? Like the war profiteer
fortune falls to the bold. Hypocrisy
is just sour grapes, they say. I love Open
Mics (not Slams, not Lectures), with the freedom
to read out loud, for that very reason.
I don’t care what books you’ve sold. Our fortune
falls to all who burn, Open Mic’s maxim,
we’re small town democracy in action.