• hopilavayi: an erotic dictionary

memories of my ghost sista

~ the dead are never satisfied

memories of my ghost sista

Category Archives: Erotic

edge of my skin

18 Wednesday Dec 2013

Posted by babylon crashing in Erotic, Illustration and art, Poetry, sonnet

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art, barrow wraith, edge of my skin, grave-fresh thighs, Japanese Shinto priestess, miko, orgasm, poem, Poetry, sonnet

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Remembering that night makes desire
shake once again. I play it over in

my mind — the thrill of memory sets fire
to my nerves — I’m on the edge of my skin

aching to be set free with your mouth, hand,
tongue all that makes me feel that we did this

before, we’ll do this again. I expand
down your throat. When you part your grave-fresh thighs

I kiss all that I can find. Science still
can’t teach us if orgasms aren’t or are

human sublimity that we call faith.
I know that you came through the door to kill

me, I know that I love you: thief, bizarre
ghost girl, libido, love, barrow wraith.

yuugure and the mountain demoness

17 Tuesday Dec 2013

Posted by babylon crashing in Erotic, Prose

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age difference, cunnilingus, erotica, female Japanese mountain demon, onibaba, prose, Yuugure

 

Yuugure stared at the hulking she-demon chained to the stonewall. It still resembled, a bit, his darling Sayomi. It had her arms, her purple eyes, her mother-birthing tummy, but they were larger now, bestial in ways the human form was never intended to be. Her whole body was covered in soft fur, like that of a mountain boar, but impossibly red. The thing — she — was deformed, with the legs of a woman mixed up with those of some fiendish shadow, a spark of mist and hatred, muscled, hungering as she strained against the thick iron that held her.

Was it really still a “she”? Undoubtedly. Sayomi’s small breasts had transformed, her cunt grown obscene. What had once been legs were now curved like that of a goat. It was those legs that she had used to carry off a ten year-old village boy, only a year younger than Yuugure himself, like a lamb to the slaughter. Yuugure couldn’t bear to think about what the villagers had discovered when they finally tracked the beast to her lair. He had to get his Sayomi back.

The mountain demon glowered at him, her teeth bared as if she would consume him at the first opportunity. Yuugure found himself staring at its eyes — her eyes — glowing in the candlelight. They seemed so much like Sayomi’s at first glance, but were now twisted, transformed. They were eyes that wanted nothing more than to watch the world burn.

Sayomi had spent the holy night of Shimekazari, when each household would invite the kami in as sacred guests, far away from everyone else in the village. She almost never participated in Shinto festivities, spending her time alone in meditation, deep in the mountains. When she would return, as she always did, she would never talk about what had happened to her, preferring instead to hold Yuugure.s tiny body tight against her, telling him that she would never do anything to harm him. Her wolfish scent would intoxicate the boy, the warmth of her body lull him to sleep. At first all her talk was baffling. Now it was routine. This time, though, everything was different. When Yuugure had gone to the well to fetch water he found his lover, old enough to be his own mother, naked, crawling upon hands and knees from out of the dark forest, bloody and insane.

Insane? Of course; no human being who talked as she did could still be considered connected to the physical world.

“I did it,” she gasped. “I drank from an onibaba’s footprint.”

A what? An onibaba? The female ogre of fairy tales? What did that even mean? Instead of answering any of his questions Sayomi went into the house and fell into a magical sleep. The message had seemed cryptic at first but now he understood. Even an eleven year-old orphan could see that there had been a change in the older woman that day.

Sayomi was a Kokumajutsu-shi, a dark witch. A few neighbors knew of her ties to the spirit world and would come, from time to time, to beg her for favors, the sort that the local Shinto priests would always refuse to grant.

There was a lot that Yuugure did not know about his Sayomi except that she loved him and he loved her so he ignored her often dark mood swings and tendency to seek out the most taboo realms of the spiritual world, or so she would claim. That was the problem with using the dark arts to solve problems that her neighbors and fellow villagers should have been able to handle all by themselves. Often they would return, the sorry bastards, begging for her to lift whatever spell or blessing that they themselves had requested. Yet, despite all the damage mere mortals seemed to bring down upon their own heads, Sayomi had healed without pay or complaint everyone who wandered through her door, granting absolute discretion to all the village girls when they came to her in tears over pregnancies they did not want.

“Of course I believe in evil,” Sayomi once said. “Anyone who brings an unloved soul into this world of sin is committing evil. To give birth to something unwanted but forced to live? unloved? uncared for? Even the oni are not so cruel. Better to skip a reincarnation, come back in a new body that will be loved than to be born an orphan whose only fate is to starve to death or be sold into slavery. Any parent who would do less is not fit to be called human.”

Now, though, Yuugure’s lover was gone and the female oni was all that remained. When the boy walked too close she shot out a powerful arm that caused the thick cold iron chains, set into stone with huge bolts, to groan and complain. Each time that Yuugure stepped too close the demoness began to rage. The heat of her breath assaulted his face. Her red arms and legs had muscles her had never seen before, like twisted oak roots. Her fat lips and kissable mouth were now the jaws of a deathtrap.

This all had started months before. Sayomi had begun to run away at night. Yuugure had never really understood, assuming it had something to do with being an adult and her dark witchiers. At first her odd behavior was even a little exciting. She would go during the night and return at daybreak. When she did, she would take the boy to their bed. She was rough and wild, unlike anything she had shown him before, biting and holding him down as she forced his cock deep inside her body. She tore at his skin and licked wherever she could find exposed flesh. Her nipples would grow hard then, each time she mauled him. It was as if the night in the woods had left her ravenous and she would literally howl each time he orgasmed inside her.

Then there was the blood. Sayomi had gone out one night and like before she came home in a daze, unkempt and dirty. She had crawled into bed where he was waiting, already excited and hard, awaiting the moment that she would ravage him. There was something safe each time she did it, except that night when he looked at her bared teeth and saw that they were stained with blood. Yuugure screamed for his love to stop, that something dreadful was wrong, but she heedlessly mounted him. The head of his cock touched her inner lips and he could feel her immediately become even wetter. There was something wrong, this time, though. She crouched over him like a nightmare, eyes gleaming as she rammed her hips down, impaling herself on him. He was afraid this time, terribly afraid. His cock started to hurt as if her cunt were made up of nothing but thousands of tiny barbs and he cried out in pain but she still wouldn’t stop.

Afterward he cried as she slept next to him.

The next morning she had no memory of what had happened. She became quiet when he told her, his dark boy eyes running with tears, about the blood in her mouth and what she had done. Sayomi was never one to exaggerate, but her eyes showed deep fear as she held him and whispered over and over that she was sorry.

It was on that same day that Hidou, a neighbor and Sayomi’s good friend, knocked on their door. She had come wanting a protective charm for her eight year-old son. Sayomi had laughed and told Hidou that boys weren’t the ones who needed protection. Hidou shook her head and told them that there was a rumor that an oibaba were stealing away their village boys.

First it had just been farm animals that had been disappearing of late. A few people had blamed a wolf that had been seen in the mountains, but that all had changed when something that clearly walked on two feet had dragged away a screaming village child. The town was in an uproar and everyone was afraid. On the very hour of her visit Sayomi made Hidou a special talisman blessed by their Shinto priest and told her friend to make sure that her son should never take it off.

That was the day everything in Yuugure’s life changed. He was shocked when Sayomi secreted herself to the outer barn where the ancient chains were. She stood in a corner on that cold day, naked, shackles hanging loosely on her arms and legs and then sent Yuugure away, ordering the boy not to come into the barn for any reason.

That evening everything was quiet. Even the birds seemed to be holding their breath. The sun began to set and Yuugure became afraid. The barn echoed with choked and muffled screams and the sick sound of ripping flesh and cracking bone. When Sayomi’s screams became a hideous roar, the boy crept into the barn to find — not Sayomi — but the onibaba, a real flesh and blood mountain demon, leering at him, steaming billowing out of her wicked mouth. Yuugure opened his mouth to scream in turn but no noise came forth. Sayomi’s breasts and cunt were still mostly human, made of the same powerful muscles as her legs and arms. Her face however was indeed the stuff of nightmare. Wide eyes and pointed horns poked out from the red fur that covered the rest of her body.

Yuugure ran from the room and hid in their bed, weeping at what had become of his beloved Sayomi. In the morning, he awoke to find the older woman in bed with him, back in her human form, sleeping in the throws of a fever-dream. For the rest of the day she lay unconscious. As the evening approached, though, she finally rolled over on her side and spoke to the boy.

“I have unnatural appetites.” Sayomi spoke hoarsely. “I have tried again and again to curb my hunger but it doesn’t work. I suffer and soon I will not be able to stop control myself from breaking loose and killing the first person I see. It might be one of our neighbors. It might be you. I need you to help me.”

“Haii! Anything I can do, please,” Yuugure pulled her muscled body as close as his thin arms allowed. Despite his fear feeling her smooth skin and warmth again calmed his heart.

“Find a dog or goat. Kill it for me. Then feed it to me when I am chained. Once the demon is fed perhaps then we can figure out a way to stop it.”

“Can you stop it?” Yuugure asked, stroking her aching body. “I can go bring the priest.”

“No.” Sayomi shook her head. “I have to do this myself. I can’t kill another innocent soul.”

“But you are so strong,” Yuugure began to kiss her face. “I know you can do anything. I’ll help too. I’ll do anything you ask.”

“I don’t deserve a boy like you.” Sayomi smiled. It was the first smile he had seen in days. It was the same smile that had bewitched him a year before that let her drag him away from the fire at the midsummer’s festivities. He had followed the strange, older woman into the shadows and was shocked when she let him take her. He had been a virgin before that night. Every time she smiled like that he knew that he would do it all over. Yuugure reached over and ran his hand up Sayomi’s thigh, exploring between her legs, touching her clit with his soft hands. She moaned a little and licked her lips.

“Please, Yuugure-chan. I’m tired. Being a boy-flesh crazed monster takes a lot of energy,” Sayomi began to roll away but he held her back in his arms and began to caress her even more.

“Then be still, oneesan,” the little boy teased, dipping his fingers into her hot, buttery wetness. Her body began to tense and relax as little waves of pleasure sloshed within. “Let me help you get rid of that demon in you.”

Sayomi began to breathe harder. She touched Yuugure’s naked skin as the age-old pleasures began to overwhelm her senses. “Don’t’ stop,” she pleaded.

“Do you want me to use my mouth?” Yuugure licked his pretty lips.

“Hai!” Sayomi was in ecstasy.

He drew his body down so that she could feel his young, boyish breath against her sodden girl-lips, the hard T-bone of her clit. She thrust her hips up, involuntarily. Parting her lips he moved all over with his tongue. Yuugure loved the way Sayomi tasted inside his mouth. She made an excellent teacher, so he took it slow at first and then faster, seeing just how deep his tongue could go. He wanted her cum now, to her pleasure to fill his mouth, just so he could hear how she would moan as she flooded because she always flooded and this time …

… when her shaking subsided, when he had swallowed everything, he crawled up and rested his head on her breasts so that he could hear her heart pound crazy. It gave him a thrill to know he made her heart race like that.

[to be continued] …

a devil’s reply

16 Monday Dec 2013

Posted by babylon crashing in Erotic, Poetry, sonnet

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Tags

a devil's reply, demons run when a good man cums, morphine, noise, pills, poem, Poetry, sonnet, the seventh son of a seventh son, vodka

your lips slightly bruised kiss the demons run
when a good man comes with primal urges

with a seventh son of a seventh son
with your mama’s blessings on your curl-fuzz

your first pubic hair your first change bad boys
who say stay away taste these crimson lips

you can’t help yourself and the noise the noise
of the rough bite on your bottom your hips

suck you are your fingers in I know I
know it’s serious more than metal fills

gag your throat hard next time both of my thumbs
to bruise your first curl a devil’s reply

to one who consumes vodka morphine pills
consumes everything when a good man comes

Image

in love with a ghost from war-torn nagorno-karabakh

16 Monday Dec 2013

Tags

ancient church, Armenia, art, ghost girl, ghost lover, Nagorno-Karabakh, war

Dec 16, 2013 (1)

Posted by babylon crashing | Filed under Armenia, Erotic, Illustration and art

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the cat who walked by himself

03 Tuesday Dec 2013

Posted by babylon crashing in Illustration and art, story, Uncategorized

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Tags

art, artist unknown, First Singing Magic, Kipling, Russian video, The Cat Who Walked By Himself

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O my Best Beloved …

… hear and attend and listen; for this befell and behappened and became and was, when the Tame animals were wild. The Dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild — as wild as wild could be — and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself, and all places were alike to him.

Of course the Man was wild too. He was dreadfully wild. He didn’t even begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail-down, across the opening of the Cave; and she said, ‘Wipe you feet, dear, when you come in, and now we’ll keep house.’

That night, Best Beloved, they ate wild sheep roasted on the hot stones, and flavored with wild garlic and wild pepper; and wild duck stuffed with wild rice and wild fenugreek and wild coriander; and marrow-bones of wild oxen; and wild cherries, and wild grenadillas. Then the Man went to sleep in front of the fire ever so happy; but the Woman sat up, combing her hair. She took the bone of the shoulder of mutton — the big fat blade-bone — and she looked at the wonderful marks on it, and she threw more wood on the fire, and she made a Magic. She made the First Singing Magic in the world.

Out in the Wet Wild Woods all the wild animals gathered together where they could see the light of the fire a long way off, and they wondered what it meant.

Then Wild Horse stamped with his wild foot and said, ‘O my Friends and O my Enemies, why have the Man and the Woman made that great light in that great Cave, and what harm will it do us?’

Wild Dog lifted up his wild nose and smelled the smell of roast mutton, and said, ‘I will go up and see and look, and say; for I think it is good. Cat, come with me.’

‘Nenni!’ said the Cat. ‘I am the Cat who walks by himself, and all places are alike to me. I will not come.’

‘Then we can never be friends again,’ said Wild Dog, and he trotted off to the Cave. But when he had gone a little way the Cat said to himself, ‘All places are alike to me. Why should I not go too and see and look and come away at my own liking.’ So he slipped after Wild Dog softly, very softly, and hid himself where he could hear everything.

When Wild Dog reached the mouth of the Cave he lifted up the dried horse-skin with his nose and sniffed the beautiful smell of the roast mutton, and the Woman, looking at the blade-bone, heard him, and laughed, and said, ‘Here comes the first. Wild Thing out of the Wild Woods, what do you want?’

Wild Dog said, ‘O my Enemy and Wife of my Enemy, what is this that smells so good in the Wild Woods?’

Then the Woman picked up a roasted mutton-bone and threw it to Wild Dog, and said, ‘Wild Thing out of the Wild Woods, taste and try.’ Wild Dog gnawed the bone, and it was more delicious than anything he had ever tasted, and he said, ‘O my Enemy and Wife of my Enemy, give me another.’

The Woman said, ‘Wild Thing out of the Wild Woods, help my Man to hunt through the day and guard this Cave at night, and I will give you as many roast bones as you need.’

‘Ah!’ said the Cat, listening. ‘This is a very wise Woman, but she is not so wise as I am.’

Wild Dog crawled into the Cave and laid his head on the Woman’s lap, and said, ‘O my Friend and Wife of my Friend, I will help Your Man to hunt through the day, and at night I will guard your Cave.’

‘Ah!’ said the Cat, listening. ‘That is a very foolish Dog.’ And he went back through the Wet Wild Woods waving his wild tail, and walking by his wild lone. But he never told anybody.

When the Man waked up he said, ‘What is Wild Dog doing here?’ And the Woman said, ‘His name is not Wild Dog any more, but the First Friend, because he will be our friend for always and always and always. Take him with you when you go hunting.’

Next night the Woman cut great green armfuls of fresh grass from the water-meadows, and dried it before the fire, so that it smelt like new-mown hay, and she sat at the mouth of the Cave and plaited a halter out of horse-hide, and she looked at the shoulder of mutton-bone — at the big broad blade-bone — and she made a Magic. She made the Second Singing Magic in the world.

Out in the Wild Woods all the wild animals wondered what had happened to Wild Dog, and at last Wild Horse stamped with his foot and said, ‘I will go and see and say why Wild Dog has not returned. Cat, come with me.’

‘Nenni!’ said the Cat. ‘I am the Cat who walks by himself, and all places are alike to me. I will not come.’ But all the same he followed Wild Horse softly, very softly, and hid himself where he could hear everything.

When the Woman heard Wild Horse tripping and stumbling on his long mane, she laughed and said, ‘Here comes the second. Wild Thing out of the Wild Woods what do you want?’

Wild Horse said, ‘O my Enemy and Wife of my Enemy, where is Wild Dog?’

The Woman laughed, and picked up the blade-bone and looked at it, and said, ‘Wild Thing out of the Wild Woods, you did not come here for Wild Dog, but for the sake of this good grass.’

And Wild Horse, tripping and stumbling on his long mane, said, ‘That is true; give it me to eat.’

The Woman said, ‘Wild Thing out of the Wild Woods, bend your wild head and wear what I give you, and you shall eat the wonderful grass three times a day.’

‘Ah,’ said the Cat, listening, ‘this is a clever Woman, but she is not so clever as I am.’ Wild Horse bent his wild head, and the Woman slipped the plaited hide halter over it, and Wild Horse breathed on the Woman’s feet and said, ‘O my Mistress, and Wife of my Master, I will be your servant for the sake of the wonderful grass.’

‘Ah,’ said the Cat, listening, ‘that is a very foolish Horse.’ And he went back through the Wet Wild Woods, waving his wild tail and walking by his wild lone. But he never told anybody.

When the Man and the Dog came back from hunting, the Man said, ‘What is Wild Horse doing here?’ And the Woman said, ‘His name is not Wild Horse any more, but the First Servant, because he will carry us from place to place for always and always and always. Ride on his back when you go hunting.

Next day, holding her wild head high that her wild horns should not catch in the wild trees, Wild Cow came up to the Cave, and the Cat followed, and hid himself just the same as before; and everything happened just the same as before; and the Cat said the same things as before, and when Wild Cow had promised to give her milk to the Woman every day in exchange for the wonderful grass, the Cat went back through the Wet Wild Woods waving his wild tail and walking by his wild lone, just the same as before. But he never told anybody. And when the Man and the Horse and the Dog came home from hunting and asked the same questions same as before, the Woman said, ‘Her name is not Wild Cow any more, but the Giver of Good Food. She will give us the warm white milk for always and always and always, and I will take care of her while you and the First Friend and the First Servant go hunting.

Next day the Cat waited to see if any other Wild thing would go up to the Cave, but no one moved in the Wet Wild Woods, so the Cat walked there by himself; and he saw the Woman milking the Cow, and he saw the light of the fire in the Cave, and he smelt the smell of the warm white milk.

Cat said, ‘O my Enemy and Wife of my Enemy, where did Wild Cow go?’

The Woman laughed and said, ‘Wild Thing out of the Wild Woods, go back to the Woods again, for I have braided up my hair, and I have put away the magic blade-bone, and we have no more need of either friends or servants in our Cave.

Cat said, ‘I am not a friend, and I am not a servant. I am the Cat who walks by himself, and I wish to come into your cave.’

Woman said, ‘Then why did you not come with First Friend on the first night?’

Cat grew very angry and said, ‘Has Wild Dog told tales of me?’

Then the Woman laughed and said, ‘You are the Cat who walks by himself, and all places are alike to you. Your are neither a friend nor a servant. You have said it yourself. Go away and walk by yourself in all places alike.’

Then Cat pretended to be sorry and said, ‘Must I never come into the Cave? Must I never sit by the warm fire? Must I never drink the warm white milk? You are very wise and very beautiful. You should not be cruel even to a Cat.’

Woman said, ‘I knew I was wise, but I did not know I was beautiful. So I will make a bargain with you. If ever I say one word in your praise you may come into the Cave.’

‘And if you say two words in my praise?’ said the Cat.

‘I never shall,’ said the Woman, ‘but if I say two words in your praise, you may sit by the fire in the Cave.’

‘And if you say three words?’ said the Cat.

‘I never shall,’ said the Woman, ‘but if I say three words in your praise, you may drink the warm white milk three times a day for always and always and always.’

Then the Cat arched his back and said, ‘Now let the Curtain at the mouth of the Cave, and the Fire at the back of the Cave, and the Milk-pots that stand beside the Fire, remember what my Enemy and the Wife of my Enemy has said.’ And he went away through the Wet Wild Woods waving his wild tail and walking by his wild lone.

That night when the Man and the Horse and the Dog came home from hunting, the Woman did not tell them of the bargain that she had made with the Cat, because she was afraid that they might not like it.

Cat went far and far away and hid himself in the Wet Wild Woods by his wild lone for a long time till the Woman forgot all about him. Only the Bat — the little upside-down Bat — that hung inside the Cave, knew where Cat hid; and every evening Bat would fly to Cat with news of what was happening.

One evening Bat said, ‘There is a Baby in the Cave. He is new and pink and fat and small, and the Woman is very fond of him.’

‘Ah,’ said the Cat, listening, ‘but what is the Baby fond of?’

‘He is fond of things that are soft and tickle,’ said the Bat. ‘He is fond of warm things to hold in his arms when he goes to sleep. He is fond of being played with. He is fond of all those things.’

‘Ah,’ said the Cat, listening, ‘then my time has come.’

Next night Cat walked through the Wet Wild Woods and hid very near the Cave till morning-time, and Man and Dog and Horse went hunting. The Woman was busy cooking that morning, and the Baby cried and interrupted. So she carried him outside the Cave and gave him a handful of pebbles to play with. But still the Baby cried.

Then the Cat put out his paddy paw and patted the Baby on the cheek, and it cooed; and the Cat rubbed against its fat knees and tickled it under its fat chin with his tail. And the Baby laughed; and the Woman heard him and smiled.

Then the Bat — the little upside-down bat — that hung in the mouth of the Cave said, ‘O my Hostess and Wife of my Host and Mother of my Host’s Son, a Wild Thing from the Wild Woods is most beautifully playing with your Baby.’

‘A blessing on that Wild Thing whoever he may be,’ said the Woman, straightening her back, ‘for I was a busy woman this morning and he has done me a service.’

That very minute and second, Best Beloved, the dried horse-skin Curtain that was stretched tail-down at the mouth of the Cave fell down — whoosh! — because it remembered the bargain she had made with the Cat, and when the Woman went to pick it up — lo and behold! — the Cat was sitting quite comfy inside the Cave.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘it is I: for you have spoken a word in my praise, and now I can sit within the Cave for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

The Woman was very angry, and shut her lips tight and took up her spinning-wheel and began to spin. But the Baby cried because the Cat had gone away, and the Woman could not hush it, for it struggled and kicked and grew black in the face.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘take a strand of the wire that you are spinning and tie it to your spinning-whorl and drag it along the floor, and I will show you a magic that shall make your Baby laugh as loudly as he is now crying.’

‘I will do so,’ said the Woman, ‘because I am at my wits’ end; but I will not thank you for it.’

She tied the thread to the little clay spindle whorl and drew it across the floor, and the Cat ran after it and patted it with his paws and rolled head over heels, and tossed it backward over his shoulder and chased it between his hind-legs and pretended to lose it, and pounced down upon it again, till the Baby laughed as loudly as it had been crying, and scrambled after the Cat and frolicked all over the Cave till it grew tired and settled down to sleep with the Cat in its arms.

‘Now,’ said the Cat, ‘I will sing the Baby a song that shall keep him asleep for an hour. And he began to purr, loud and low, low and loud, till the Baby fell fast asleep. The Woman smiled as she looked down upon the two of them and said, ‘That was wonderfully done. No question but you are very clever, O Cat.’

That very minute and second, Best Beloved, the smoke of the fire at the back of the Cave came down in clouds from the roof — puff! — because it remembered the bargain she had made with the Cat, and when it had cleared away — lo and behold! — the Cat was sitting quite comfy close to the fire.

‘O my Enemy and Wife of my Enemy and Mother of My Enemy,’ said the Cat, ‘it is I, for you have spoken a second word in my praise, and now I can sit by the warm fire at the back of the Cave for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

Then the Woman was very very angry, and let down her hair and put more wood on the fire and brought out the broad blade-bone of the shoulder of mutton and began to make a Magic that should prevent her from saying a third word in praise of the Cat. It was not a Singing Magic, Best Beloved, it was a Still Magic; and by and by the Cave grew so still that a little wee-wee mouse crept out of a corner and ran across the floor.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy,’ said the Cat, ‘is that little mouse part of your magic?’

‘Ouh! Chee! No indeed!’ said the Woman, and she dropped the blade-bone.

‘Ah,’ said the Cat, watching, ‘then the mouse will do me no harm if I eat it?’

‘No,’ said the Woman, ‘eat it quickly and I will ever be grateful to you.’

Cat made one jump and caught the little mouse, and the Woman said, ‘A hundred thanks. Even the First Friend is not quick enough to catch little mice as you have done. You must be very wise.’

That very moment and second, O Best Beloved, the Milk-pot that stood by the fire cracked in two pieces — ffft — because it remembered the bargain she had made with the Cat, and when the Woman jumped down from the footstool — lo and behold! — the Cat was lapping up the warm white milk that lay in one of the broken pieces.

‘O my Enemy and Wife of my Enemy and Mother of my Enemy, said the Cat, ‘it is I; for you have spoken three words in my praise, and now I can drink the warm white milk three times a day for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.’

Then the Woman laughed and set the Cat a bowl of the warm white milk and said, ‘O Cat, you are as clever as a man, but remember that your bargain was not made with the Man or the Dog, and I do not know what they will do when they come home.’

‘What is that to me?’ said the Cat. ‘If I have my place in the Cave by the fire and my warm white milk three times a day I do not care what the Man or the Dog can do.’

That evening when the Man and the Dog came into the Cave, the Woman told them all the story of the bargain while the Cat sat by the fire and smiled. Then the Man said, ‘Yes, but he has not made a bargain with me or with all proper Men after me.’ Then he took off his two leather boots and he took up his little stone axe (that makes three) and he fetched a piece of wood and a hatchet (that is five altogether), and he set them out in a row and he said, ‘Now we will make our bargain. If you do not catch mice when you are in the Cave for always and always and always, I will throw these five things at you whenever I see you, and so shall all proper Men do after me.’

‘Ah,’ said the Woman, listening, ‘this is a very clever Cat, but he is not so clever as my Man.’

The Cat counted the five things (and they looked very knobby) and he said, ‘I will catch mice when I am in the Cave for always and always and always; but still I am the Cat who walks by himself, and all places are alike to me.’

‘Not when I am near,’ said the Man. ‘If you had not said that last I would have put all these things away for always and always and always; but I am now going to throw my two boots and my little stone axe (that makes three) at you whenever I meet you. And so shall all proper Men do after me!’

Then the Dog said, ‘Wait a minute. He has not made a bargain with me or with all proper Dogs after me.’ And he showed his teeth and said, ‘If you are not kind to the Baby while I am in the Cave for always and always and always, I will hunt you till I catch you, and when I catch you I will bite you. And so shall all proper Dogs do after me.’

‘Ah,’ said the Woman, listening, ‘this is a very clever Cat, but he is not so clever as the Dog.’

Cat counted the Dog’s teeth (and they looked very pointed) and he said, ‘I will be kind to the Baby while I am in the Cave, as long as he does not pull my tail too hard, for always and always and always. But still I am the Cat that walks by himself, and all places are alike to me.’

‘Not when I am near,’ said the Dog. ‘If you had not said that last I would have shut my mouth for always and always and always; but now I am going to hunt you up a tree whenever I meet you. And so shall all proper Dogs do after me.’

Then the Man threw his two boots and his little stone axe (that makes three) at the Cat, and the Cat ran out of the Cave and the Dog chased him up a tree; and from that day to this, Best Beloved, three proper Men out of five will always throw things at a Cat whenever they meet him, and all proper Dogs will chase him up a tree. But the Cat keeps his side of the bargain too. He will kill mice and he will be kind to Babies when he is in the house, just as long as they do not pull his tail too hard. But when he has done that, and between times, and when the moon gets up and night comes, he is the Cat that walks by himself, and all places are alike to him. Then he goes out to the Wet Wild Woods or up the Wet Wild Trees or on the Wet Wild Roofs, waving his wild tail and walking by his wild lone.

][][

note:

This is a story I struggle with because I love it so much. It is a story that was imprinted in my DNA as a child, my mother read it over and over to me before I even understood what a singing magic was. It’s poetry is breath-taking. When Pablo Neruda wrote, “The cat, only the cat, appeared complete and proud … smallest living-room tiger … But I do not know the cat … “ he was speaking of the Kipling’s Cat. And yet — and yet — and yet it is a story where Woman is the domesticater, a trope that has always been problematic, a sorceress undone by a wee little mouse. That’s where the story falls apart for me, the idea that someone so powerful in the craft that she can bring the First Singing Magic into the world is then reduced into a cartoon Tom and Jerry housewife standing on a chair, squealing because a mouse is in the room, allowing the Cat power over her. Sorry, Rudyard, I just don’t buy it. Still, outside that bit of daft sexism I still love everything else about the story, which is why I present it here. I love that some country (Australia? New Zealand?) actually made a stamp celebrating the story. Bravo.

backbone

03 Tuesday Dec 2013

Posted by babylon crashing in Erotic, Illustration and art, Poetry, sonnet

≈ Comments Off on backbone

Tags

art, backbone, bisexuality, colors are sexy, Echo and Narcissus, John Waterhouse, poem, Poetry, psychedelic, sonnet, your fantasies are obvious

Dec 03, 2013 (2)

There are some spaces that feel all precious;
the small fuzzy-haired curve of my skull-bone

where they used forceps to pull me free, plus
these words. I love these words. Get a backbone,

dear, where we’re going you’ll need it. Reading
about your fantasies, usually they

include titanic boobs bouncing, flopping,
swaying, cocks that never droop. No wordplay,

no wit, no camp. That’s not kink. An echo
can moan better. Gimme color. Vulva

purple. Cock brown. Start with this sea coral,
blue blush, start glistening deeper, pink glow,

peach wet, sopping scarlet, clenched fuchsia.
I hit a pleasure point, your thigh, my skull.

][][

note:

I cropped and then turned upside down this image from Waterhouse’s painting Echo and Narcissus, happy to see that Narcissus’ reflection isn’t actually looking at himself, he is staring at the audience.

bastard’s silence

03 Tuesday Dec 2013

Posted by babylon crashing in Erotic, Illustration and art, Poetry, sonnet

≈ Comments Off on bastard’s silence

Tags

art, bastard's silence, butch queens, femme boys, I love blue, poem, Poetry, psychedelic, rent boy, selfie, The Other

Dec 03, 2013 (1)

How does that simple gesture of finger
across lips silence us? How do fingers

digging deep into fabric mean pleasure?
I’ve drunk from dripping rain; but what is hers

isn’t mine. What do butch queens signify?
If I’m narcissistic and perverted

it is only because such love is sly
and hard to find; like a booty goon, stud

muffin or power bottom. All the words
that we have for the Other, for one who

isn’t, could fit on the head of a cock,
a pin, a rent boy’s tongue. I’m the bastard’s

silence. The first question. How much can you
take in? Open your mouth, but please, don’t talk.

shaman of the bones

01 Sunday Dec 2013

Posted by babylon crashing in Erotic, Poetry

≈ Comments Off on shaman of the bones

Tags

a spell, El Nina, erotic pain, listen, poem, Poetry, shaman of the bones

 

everything you do first
comes like breath like a warm

hot wind everything drums
like our pulses quickening

quickly the heady natural mystic
shaman of the bone fills

the air for it is very natural
isn’t it to be naked to want

me to see everything now
drink from me and be

nourished hoodoo and the hex
and I wish that my dark

honey alone could sustain
you but I fell in love

with you now you’re enemy
the words I spoke

to you keep them inside
this is a spell listen

dead man switch

01 Sunday Dec 2013

Posted by babylon crashing in Erotic, Poetry

≈ Comments Off on dead man switch

Tags

bleed me, dead man pleasure, homoerotic, poem, Poetry, switch cutting

 

thoughts are of muscle and
bone thrash under ankles

and wrists ache as the ropes
cut into muffled moans permeate

the dark truck stop bathroom
straddling at the neck slowly

rip the tape off force
it into the back

of the throat re-enter
with a renewed determination

hard pleasure dead man
switch cutting through

my belly watch
everything spill

quiver

01 Sunday Dec 2013

Posted by babylon crashing in Erotic, Poetry

≈ Comments Off on quiver

Tags

Camp aesthetic, homoerotic, one well-hung cookie, poem, Poetry, pre-Stonewall, Saint Sebastian

 

a river of stars flooded
out of me even what’s

beautiful can be pain can
be violent joy where

the first arrow ended
marked the path you must

take to cross to me
the scene has been

set the bow tense
quiver in anticipation

][][

note:

Forever young and looking good tied naked to a tree, a saint popular with solders and athletes, Sebastian was a curly-haired Roman youth shot with arrows on the orders of emperor Diocletian, martyred by the establishment. In 1976, the British director Derek Jarman made a film, Sebastiane, which caused controversy in its treatment of Sebastian as a homosexual icon; though, as many critics have noted, this has been a subtext of his martyr story even before the Renaissance. In his novella Death in Venice, Thomas Mann writes about the Sebastian-Beauty as the “supreme emblem of Apollonian beauty, that is, the artistry of differentiated forms; beauty as measured by discipline, proportion, and luminous distinctions.” From these roots as well as the work of Susan Sontag and other pre-Stonewall theorists arose the aesthetic known as Camp; an acceptance of masculine effeminacy and a “heroism born of weakness.”

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