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memories of my ghost sista

~ the dead are never satisfied

memories of my ghost sista

Tag Archives: The Mamas and The Papas

you oughta know by now—

13 Wednesday Feb 2013

Posted by babylon crashing in Erotic, Illustration and art, Poetry

≈ Comments Off on you oughta know by now—

Tags

amor mío, bisexual, Federico Garcia Lorca, homoerotica, homophobia, sonnet, The Mamas and The Papas, Words of Love

federico garcia lorca, mi amor

federico garcia lorca, mi amor

* * *

“If your girl likes rhythm and blues, look out
’cause cake’s in the house…”

— Sir Mix-a-lot, Cake Boy

“If you love her” and “then you must send her
somewhere”
and “where she’s never been before.”

Do not mock “words of love, soft and tender.”

All my “worn out phrases” come straight from war.
Lovers still die. I’m “a buttercup boy
from the funny school.”
By definition
I’ve been to places a 60s tomboy

hasn’t, as all children can claim. Semen
running down our chins. Still, I’ll make you glow,
mamas and papas, take you down tonight.

To where they shot Lorca. Because you mocked
everything “soft and tender.” Federico,
mi amor, I’ll burn them down with delight.
It will leave their souls horror-struck and shocked.

* * *

Note:

* The Spanish poet, Federico Garcia Lorca, was assassinated in 1936 by General Franco’s fascists for being a liberal and a queer.

* The 1960s group The Mamas and the Papas sang the song Words of Love, which I quote from in the poem. Regardless of what I say elsewhere, bless you, Mama Cass (though Papa John can bite me, jerk)

* I’ve been living with Sir Mix-a-lot’s fake ode (he of the Baby Got Back fame) to the effeminate in men, Cake Boy, for many a year now. It is equally fascinating and frustrating, much like society’s take on the fey. It might not be the very first attempt in mainstream media to talk about gay and transgendered African Americans (see: Honey Honey Miss Thang for a longer discussion) but it was one of the first I came across in hip hop. I am not African American, but I certainly identified with the cake boy motif he describes. I call this a fake ode because at the end of the song Mix-a-lot advocates physical violence against any effeminate man who might be coming on strong to a homeboy’s girlfriend. Homophobia and gay-bashing will always be crimes to send you to the 7th circle of hell in my book.

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