ghoul sick

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Drenched in your sweat, sticky from sticky acts,
I run my palm down your back, rub cum-funk

across your face. Anything that distracts
you from your pain is a blessing. Our drunk

spine-twist, two-fist afternoon trysts always
distract. You taste like bong-water after

gagging on me. We lay back in a haze
that goes on for miles. You light another

dirty roach though you have to be at school
soon. You might make it … if the PCP

doesn’t kick in first. There is no shower
and the sink water is brown. You are ghoul

sick yet here we are. I stare at your knee
and it splits open up: all clit-flower.

Quote

Lola Ridge, “The Alley” (1920)

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Because you are four years old
the candle is all dressed up in a new frill.
And stars nod to you through the hole in the curtain,
(except the big stiff planets
too fat to move about much,)
and you curtsey back to the stars
when no one is looking.
You feel sorry for the poor wooden chair
that knows it isn’t nice to sit on,
and no one is sad but mama.
You don’t like mama to be sad
when you are four years old,
so you pretend
you like the bitter gold-pale tea—
you pretend
if you don’t drink it up pretty quick
a little gold-fish
will think it is a pond
and come and get born in it.

][][

It’s hot in our street
and the breeze is a dirty little broom
that sweeps dust into our room
and bits of paper out of the alley.
You are not let to play
with the children in the alley
But you must be very polite—
so you pass them and say good day
and when they fling banana skins
you fling them back again.

][][

There is no one to play with
and the flies on the window
buzz and buzz…
…you can pull out their legs
and stick pins in their bodies
but still they buzz…
and mama says:
When Nero was a little boy
he caught flies on his mama’s window
and pulled out their legs
and stuck pins in their bodies
and nobody loved him.
Buzz, blue-bellied flies—
buzz, nasty black wheel
of mama’s machine—
you are the biggest fly of all—
you have the loudest buzz.
I hear you at dawn before the locusts.
But I like the picture of the Flood
and the little babies getting drowned….
If I were there I would save them,
but as I can’t save them
I like to watch them
getting drowned.

][][

When mama buys of Ling Ho,
he smiles very wide
and picks her the largest loquots.
The greens-man gave her a cabbage
and she held it against her black bodice
and said what a beautiful green it was
and put it on the table
as though it had been a flower.
But next day we boiled and ate it with salt.
It was our dinner.

][][

Christmas day
I found Janie on my pillow.
Janie is made of rubber.
Her red and blue jacket won’t come off.
Christmas dinner was green and white
chicken and lettuce and peas
and drops of oil on the salad
smiley and full of light
like the gold on the lady’s teeth.

But mama said politely
Thank you, we are dining out.
She wouldn’t let you take one pea
to put in the hole where the whistle was
at the back of Janie’s head,
so Janie should have some dinner
So you went to the park with biscuits
and black tea in a bottle.

][][

You feel very sad
when you climb on the fence
to watch mama out of sight.
The women in the alley
poke their heads out of doorways
and watch her too.
You know her
by the way she holds her shoulders
till she is only a speck
in a chain of specks—
till she is swallowed up.
But suppose
that day after day
you were to watch for her face
and it didn’t come back?
Suppose
it were to drop out of the string of white faces
like the pearl out of my chain
I never found again?

][][

Mabel minds you while mama is out,
she washes while she sings
Three blind mice!
they all run away from the farmer’s wife
who cut off their tails
with a carving knife—
Wind blows out Mabel’s sheets,
way you blow in a bag before you burst it.
Wind has a soapy smell.
It’s heavier’n sun
that lies all over you without any weight
and makes you feel happy
and crinkly like bubbling water.
There’s no sun on the empty house—
sly-looking house—
you can’t see in its windows
that watch you out of their corners.
Perhaps there’s a big spider there
spinning gray threads over the windows
till they look like dead people’s faces….
Jimmie says:
Jimmie’s hair is white as a white mouse.
His lashes are gold as mama’s wedding ring
and his mouth feels cool and smooth
like a flower wet with rain.
You wouldn’t believe Jimmie was different…
till he showed you….

][][

Blind wet sheets
flapping on the lines…
sun in your eyes,
dark gold sun
full of little black spots,
you have to blink and blink…
round eyes of Jimmie….
Jimmie’s blue jumper…
blue shadow of wall…
all the world holding still
as when a clock stops…
streets still… people still…
no streets… no people…
only sky and wall…
sun glaring bright as God
down at you and Jimmie…
shadow like a purple cloth
trailing off the wall…

Wild wet sheets
flapping in the wind…
big slippered feet flapping too…
big-balloon-face
rushing up the alley…
houses closing up again…
windows looking round…
… Mabel pulls you in the gate and shakes you
and tells you not to tell your mama…
And you wonder
if God has spoiled Jimmie.

noonday

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Flesh works, a crucible pungent with ore,
melted slag all soggy, a drenched poppy —

sweaty backseat acts leave your puckered core
stretched wide. Your hands work around my neck, knee

pressed to my chest, eyes glazed. In an hour
you’ll be back home, dropped off a block away.

Propped on one elbow you blow sweet-and-sour
spliff smoke into my mouth. Mixed with noonday

heat I trace salt stripes down your spine. The air
grows large — pungent with lub-dub sweat, lip gloss,

lube, your waxed pearl — while a milky sun ray
fills up the backseat, obscuring my bare

thigh wrapped under you, smearing cum across
your ripped orange tee of Che in beret.

shlick

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Not like sleaze stopped us; with your loud, “Oh gosh!
Thish ish amashin! I’m ah shloppy mesh!”

everyone listened to the slish, shlick, slosh
of my fingers pulling out from your flesh;

your long, “huuugh.” One frowned, shocked like a grown-up
at our public displays of affection.

One looked away as I sucked the syrup
of your mess clean. Yes, I am a glutton

for certain things, certain queer alchemies.
Yes, you slouched with legs splayed on the bus seat,

glowing, indifferent to the commuters
stares. Let them call these ancient acts filth, sleaze,

shame. Let them. We are part of the night’s heat
— full of mad, wet prayer and obscene odors.

muddied drop

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First came spigoting; twisting inside you
to let the hazed swamp heat out. What was it?

Grinding of hips? A blowtorch? A corkscrew?
Something deep bruised your viscera. Spirit

of cum puddles and sparks, of lewd vapor
and scars. To treat you like fuck meat, sweetly

immature, is an act of faith. Skewer
you raw, on hands and knees, that’s prayer. Knock-knee

and splayed hip; your fingers warped the bed sheets.
What dripped was a muddied drop. We giggled

to be so nasty, goblins damned. Bare-legged
and backside, we, “shudder’d at it,” as Keats

would say. We have craved and beseeched and yowled
for each thrust — blood fueled by gin and acid.