what the dead and chaste abhor

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What is this need: sex among the ruins?

We kissed in the remains of a school-house

 

by the gray marsh reeds, while the ghosts of nuns

ached and dead things crept in the weeds. Your blouse

 

undone, skirt on the floor. Slowly we bent

over a desk top with fingers at work:

 

stretching, coaxing, melting down walls our scent

mixed with willow, dust, sumac. With a jerk

 

you came, shouted, ¡Lilith!” wild with tonguing.

Just then all that the dead and chaste abhor

 

we became. Let ruins of grace that fuel

lust be a blessing. Let ghosts mark our coming

 

with sex stains gracing their world: warped floor,

battered seat and jack-knife carved initial.

fucktard

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We are swine, wild boars among the bluegrass

and salt-stained rocks. We are bitches, each teat

 

engorged, each rump distended. We are sass

and rage. Each foul word you use to mistreat

 

others — fucktard, ignoramus, nitwit —

that is us, too. Why does liberation

 

for you crave vile behavior? I’m unfit

to judge, clearly. Still, I love my cousin

 

even if my cousin doesn’t love me.

Today’s rebel is tomorrow’s tyrant

 

without this connection, without these ties

to each other that make us family.

 

We own the words that you use: faggot, cunt,

‘tard. So we defy you. We love. We rise.

britches

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Millay-Lorca-Kerouac,” I announce.

Driving to Flint we play Fuck-Marry-Kill.

 

Edna?” you doubt. “Look at this ass. I bounce

when I strut” — I show off my tight Goodwill

 

britches, crotch frayed — “and when I’m on all fours.”

I love your truck with its [Off-road Princess]

 

[NDN Grrlz, please] and [My Pussy Roars]

decals. “Edna loved queer boys. She’d hit this.”

 

Federico?” “Love my bambino.” “Jack?” “Hate

Jack; the white crayon of art.” “A huge sack

 

of limp cocks?” “Yes, literature’s eight dollar

haircut.” You laughed. I like your laugh. Irate

 

raving aside, you’re a blessing: laid-back,

hep, steps beyond she and he, his and her.