joy

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Thief. Grief. I’m a servant of the dog star,
the red vixen, the copper bitch. I’ve come
to bleed you dry. With an ax, a crowbar,
fingers, nails, I will reach inside. Your dumb
heart will slow, quiet now, a sulking bag
gone limp in my hand. Then I will replace
it with winter’s starved moon, that silver jag
in the sky that can never be full. Space
is full of holes. You have just one. Why grieve
over joy? Why grieve while singing this song?
The skylark knows this joy — so does the thrush
— that this world is best, we know, we believe,
without you in it. That agreed fact; long
joy of your absence. That smiled-upon hush.

skull crack

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hidden vice—infidelity is dull
only cancer does not change even that
changes the need to feel guilty that skull
crack that let all these passions in. Hellcat.
Diamond dog. Nightmare. I have ridden you
all. So you fuck? you fuck that’s not divine
the more abrasive faith the more see-through
soul made-up by the mind, that is not mine,
nothing is mine. I leave empty. I leave
with a belly wound, dripping tripe. Grave dust
my guts, throne of faith. This play on release
madam will not do. The ghosts leave to grieve.
Grieving will not do. Just this. Just this. Just
this. You small thing. Pax now, O fool, soul, peace.

dirty snow

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Then I would bear it clench myself and die
steeled with my pilgrimage’s pain the still eyes
in the dead face demon’s daughter beauty
born of love love indeed these carcass flies
and ash and funereal oak. Green bud, white
leaf, red snow. Tumble-down-dumble. The blade
lets slip my guts, cries havoc, as her night-
stained hands find a hold in my blood betrayed
O but why a big bush of elders. Dies
my why my why my why penetrating
deeper, dies my demons and false cherubs.
Dies this new faith, a three-person’d passion.
In the dirty snow you will find nothing
but meal worms fed on my blood and fat grubs.

her foal obscene

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And know there is more that you can’t see, can’t
hear, can’t know — except in movements. Inside
you it wants to get out. Like song. Like chant.
Shaman knows. Steadily it grows. Denied
as birth it will rip you apart. This thing.
This word. This language. Wretched wind that swept
space clean. Breathe in. We die in blood. Bleeding
inside. I wept because you were. I wept
riding the nightmare and her foal, obscene,
there is always more. Sister, I know why
I stayed. That movement. Fear. Can you forgive
me? I cannot. I scream. I scream. I scream
because we are all born in blood, and die
in blood, but for you, sister, please just live.

wither bone

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Dumb glutton after reading Lolita
she looked once at her daughter and then fled.
Inamatus, bangtail, poor mute, daughters
of Lot pregnant with their leering father’s
observe this erotic Lent—and I thought
she had liked this gamahuching better

than she did. Than I do. Is there no more
exquisite a conjugation in our crude
anatomy than this where poetry
dovetails with the inevitable mandrake,
the Nebuchadnezzar, the three-penny

upright? To me, to me, to me the most
endearing is its unsuitableness
of such in books, magazines and Best Of
anthologies; and, conversely, the chief
wonder in hell (wither bone, I’m sometimes
transported) are these three sticky fingers
that I bring with me everywhere. Bite hard.

catch fire girl

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Blind, we follow her slant flaming sparks, spray
metal to the hammer, pound out sculptured
what, we do not know. A girl that can weigh
potency, that fell in love with the word
anvil. One who speaks to the heart of coals.
Make my hands large and sinewy, a prayer.
Let me dream in blade and sculpture. The soul’s
work is rare. How many can find rapture
over mallet sizes? Turn steel to doubt,
fizzle it, turn it soft again? Her swing
of sledge. Her smithy grindstone. The crack-smack
of each blow, blurring, sending us far out
as she beats and beats and beats, then, sweating,
the catch fire girl at the forge tows us back.

passing of heaney

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seamusheaney

The BBC has just announced that the Irish poet Seamus Heaney has passed away at the age 74. Besides winning 1995 Nobel Prize for Literature, I adored his translation of Beowulf (1998). Below is one of my favorite sonnets of his.

Clink a pint and Oíche Mhaith.

Requiem for the Croppies

The pockets of our greatcoats full of barley…

No kitchens on the run, no striking camp…

We moved quick and sudden in our own country.

The priest lay behind ditches with the tramp.

A people hardly marching… on the hike…

We found new tactics happening each day:

We’d cut through reins and rider with the pike

And stampede cattle into infantry,

Then retreat through hedges where cavalry must be thrown.

Until… on Vinegar Hill… the final conclave.

Terraced thousands died, shaking scythes at cannon.

The hillside blushed, soaked in our broken wave.

They buried us without shroud or coffin

And in August… the barley grew up out of our grave.