half-emerge, gleaming

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And she touched boyish lips and felt his fierce
need so she rubbed his childish heat. Bending
over, she raised her skirt, letting him pierce
her. A son’s love. Belly down, back curving,
she felt him slip between her cheeks, debauched
as all goddesses are. He was possessed,
a beast, creaming deep in her guts. She watched
him half-emerge, gleaming. Prince said incest
was all “it’s said to be.” She squeezed him, dull
and soft in her muscles, blushing, childish.
He called her “mom,” and, with a slurping sigh,
withdrew. Then he too was gone, a middle-
schooler home for lunch. She stood, his boyish
gift for some blessed rite dripping down her thigh.

erotic obscura

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Kiss me, fool. I’m the last clockwork djinn. Kiss
me. You’ve always wanted an infernal
toy made of Tesla glass and Anubis
fire. Now distill breathing love from crystal
ardor. Like Las Vegas, I glow green
in the dark, I’m an amorous engine.
Where else but to Sin City would a djinn
go? Now bare flesh and sing incantation.
Kiss me. Kiss me. Kiss me. By high backstreets
and dark thoroughfares I come: a loosed wild
wind, the last of the spring-propelled djinni.
The old gods did not die – not with Yeats
and mad Crowley. Why would they? Come, love child,
erotic obscura calls you. Kiss me.

from the diary of morgan le fey

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this is magic. an outline of where you
used to be, where you laid your head between
my thighs. once there was a niece and nephew
who played under the willow, all its green
letting them do what they wanted. i want
you back. here is the space in my arms, drawn
from where you once slept. you were starving, gaunt,
lean of flesh. i’m fleshy, full of life, spawn
of the never was, child of the bestial
never is. i bleed. i burn. this flame, whom
you helped create, you fed, will now reclaim
all that hurting which drives me, i struggle
to keep it controlled, it wants to consume
you, take all of you, engulf you in flame.

note:

Such an archetypical force, there have been numerous interpretations as to who and what Morgan le Fey really was: witch, enchantress, healer. The early accounts of Geoffrey of Monmouth and Gerald of Wales refer to her living on the Isle of Apples (later called Avalon) to which the fatally wounded Arthur was carried to. To the first she was a seductress, one of nine sisters; to the last she was the queen of an area near the Tor of Glastonbury and a close blood-relation of Arthur himself. In later stories Morgan became an antagonist of the Knights of the Round Table when Guinevere discovered she had seduced one of Arthur’s knights, though the magician and healer eventually reconciled with her brother, being one of the four witches who carried him to Avalon after the Battle of Camlann.

the music of vibrators

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Listen. That’s the music of vibrators
at the end of the day. Not all of us
get to be filthy buggered mess makers.
Some of us are cleaners. Some are loveless.
Some sleep alone. That’s why other people’s
sex lives are a drag. If it’s not bragging
then it’s resentment. If it’s not facials
then it’s “Master, may I?” That’s hell, fucking
hell. Give me widows, the lonely, the shy.
Give me all who are neglected and numb,
blind, on fire. All who crave but have no one
to turn to. Every night some of us cry
in our sleep. Some lick sticky fingers. Some
fill the whole world with their dreams of passion.

half-alive in us

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Perhaps we are not real; the way the ghost
in the machine is not really dead, death
being more haunting than haunted. Stoned, dosed,
zonked, I love escape; each night my soul’s breath
escapes my lungs, filling me with aching,
with awe, a long dead girl in the empire
of her knowledge, laughing when the living
bemoan about the death of desire,
as if lust can be half-alive in us.
What’s real when we’re stoned, liquefied, reduced
to the rude fluids of our souls? What’s real
is when we thrust and grunt and moan, oneness
being found in cumming, in the unloosed
orgasm that’s the gods’ gate in our skull.

you with words

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portray I have the valley of your flesh
before me here be dragons but my mouth
won’t stop there if words can cause you gooseflesh
shivers, draw shooting stars down, travel south
from nape and neck to collar bone, lower
beyond ribs, to the belly where the laugh
sleeps, the gasp, the path that your ghost lover
once took. I will mark you well. words are half
physical, half divine. like flesh. we bruise
into crop circles. my tongue in your hair
I will call forth your milky way, I will
spill the heavens across your thighs. infuse
you with words, rare ones like clit, cum and prayer,
common ones like laugh, dance and daffodil.

nothing like yours

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The last summer moon stalks the woods; satyr
girl-parts, cast in shadows. In the small night
dogs bark, Dark I cannot sleep. The fine fur
on your legs tickles my neck. This delight
only takes me so far, moon, Moon, your goat
legs crouch over me. Slowly the light melts,
my face runs, night-noises thrum in my throat,
a tune, a late summer breeze leaving welts,
love bites, sticky cum, all over. But who
am I to the night? I nurse the dying.
I am there when they pass. Now my nocturne,
goat girl, is nothing like yours. I miss you.
Once there was the rude fuck, deep dream, godling,
before death, all we ever did was burn.

note:
I’m a hospice nurse aide, which means I spend most my nights at the bedside of dying people, usually patients who don’t have families or friends to be with them. The downside of working nights is that it screws up my ability to sleep like normal people and without sleep how can one dream? The Dalai Lama said that sleep is the best meditation. No wonder all my thoughts run like crooked little paths.

pervert moon

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Some say love, some fucking. I say desert
rain, I say saguaro, I say mesquite.
All those pent-up scents under our pervert
moon, the moon’s spawn full of heat, like my heat,
once trapped, frustrated, now rising. Fever
dreams that only rain can release. So fuck,
it is love after all when your lover
turns your dirt to mud. When all that we suck
and lick blooms, when the words for need and lust
become orphic, the air filled with balsam
and pine, filled with mesquite and saguaro.
Sanctify this fucking love, we who must
go for so long without a drop, we’ll cum,
cloudburst, a flash flood in an arroyo.

the thin edge of sin

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Odd. I write about ghosts lovers, you say,
“don’t get carried away.” I write about
the weight of a rifle, though, its blue-gray
metal, its stock sticking bolt, all the doubt
I had in hitting the man over there,
trouble of loading while on the run, shock
of noise, recoil; you grin. You love warfare,
warcraft, the way I love a dead boy’s cock,
a dead sister’s clit. You, who will never
burden yourself with another’s life blood,
mock this: sex is sin. War? Necessity.
Thank you, but I’ll stick with my ghost lover,
the one whose been to hell and back naked;
who knows about love and death equally.