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Category Archives: tarot

um tarot suja — the high priestess

18 Monday Jul 2011

Posted by babylon crashing in Erotic, tarot

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Nina Simone, Tarot

The myth of the self-made man is just that, a myth. Nothing is done in a vacuum and in order for us to learn we need others who will teach us. The High Priestess is our first opportunity to do just that on our journey. If the Shaman’s role was to gather the tools she needs to find the answers to her question, then the High Priestess will be the one who’ll show us how to use those tools.

In the Rider-Waite deck the figure in the card has an alternative name, the Popess, supposedly named after Pope Joan, a legendary woman in drag who fooled the Church for years and only was found out when she gave birth during Mass (somewhere, Leslie Feinberg, author of Stone Butch Blues, is rolling her eyes). Dressed in her blue, white and black colors, her cross and veils, the figure could also pass as a Mother Superior with little difficulty. She wears the moon crown of the great goddess Isis on her head and behind her swirl pomegranates and black and white lotuses, symbols of ancient female power. Finally, she sits between two pillars. One with a J inscribed on it while the other has a B, which curious because ancient Latin didn’t have the letter J in it for a very long time, it was only added much later to help in translating. Perhaps they are there to give Tarot scholars something to bicker about. A lot of bickering seems to go on between people who feel they are knowledgeable about the art. Arcane lore is a lot of things but it shouldn’t be a source of migraines after listening to certain people.

A lot of Tarot books and guides suggest meditation as the all-purpose fall back when confronted with questions you don’t immediately understand. If that were really the case there would be no point in using these cards at all, but I find Tarot allows me to look at my question in different ways, depending on the cards selected and how they are placed in the spread. The sort of linear thinking meditation produces rarely takes me anywhere outside of realizing time is a precious commodity and that serenity bugs the hell out of me. This is why the High Priestess isn’t seen sitting in a yoga position, blissfully smiling at eternity. In her hands she holds a scroll (in some cards it is a book) with the word “Tora” on it (perhaps a reference to the Tarot itself or the Jewish Torah) for one does not become a keeper of secrets lightly, it’s painful hard work. If pomegranates are a symbol for anything, they are to remind us of the Greek myth of Persephone, who went down into the land of the dead, Hell, and ate of its fruit. That sort of knowledge doesn’t come lightly, usually at a great cost to the wisdom seeker. The High Priestess doesn’t smile. She isn’t glad you are here. What she’s glad about, though, is that you are willing to be open enough to listen to what she has to say. You are willing to hear other’s wisdom. That is the key to this card: once you are willing to be open to answers they will come. It’s only when we close ourselves off — because of arrogance or pride or ignorance — that we find we are blind to what we are seeking. At that point no amount of esoteric knowledge will save you.

high priestess

Last night I was having difficulty seeing this card in my head. I wanted a keeper of knowledge — historical knowledge, erotic knowledge, secret knowledge, self-knowledge — but she couldn’t obviously be dressed up like a nun (perhaps a leather nun) since any patriarchal religion that hates sex as much as the Catholic Church does won’t be the ones I’d turn to looking for my answers. It’d be like going to ask George Wallace, former pro-segregation Governor of Alabama during the Civil Rights movement, questions about morality. Sure, you’ll get answers, but nothing you can use. Then it all came together — who is known as the High Priestess? Obviously, Nina Simone.

“The High Priestess of Jazz,” as she was know, Simone was an African-American singer, songwriter, pianist, arranger and civil rights activist, whose first musical love was the works of Johann Sebastian Bach (fugues rock!). Here we have Nina at the height of her powers, during her Sinnerman-period. The terrible knowledge she possessed to be able to write a song like “Mississippi Goddam” (her response to the brutal murder of Medgar Evens and the church bombing in Birmingham, Alabama, where she sings, “Alabama’s got me so upset, Tennessee’s made me lose my rest, and everybody knows about Mississippi-goddam!” — if that’s not eating from the fruits of Hell, what is?) makes her exactly the person we all need to sit at the feet of. In front of her rests a black crescent moon bound by golden thread, while a crown of stars circles her head. As for the letters on the pillars, I’ve heard that in the Rider-Waite deck the B stands for Boaz, signifying ending, while the J stands for Jachin, meaning a beginning. Frankly, that’s just one interpretation, and really not all that interesting to me. We’ll let BJ stand for whatever you’d like it to be.

um tarot suja — the consort

17 Sunday Jul 2011

Posted by babylon crashing in Erotic, tarot

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Tarot

Perhaps second only to the discovery of fire and indoor plumbing, smut is one of humanity’s truly great inventions. To begin with, it easily polarizes people; almost everyone has a strong feeling about it. Very few people will claim to be apathetic about dirty pictures. That’s because it speaks about different forms of desire, and for some people that’s exciting and for some that’s horrifying — a world of conflicting emotions all over a scrap of paper with some ink on it. Curious.

I say this knowing I live a highly privileged life and while championing for us to live deeply and be, like Lord Byron, “mad, bad and dangerous to know,” I must acknowledge that there are people who will never get that opportunity, that for them rape and domestic violence are not only very real but — more so than any “love that dare not speak its name” — the real taboo subjects in our society. So while I believe dirty pictures are not the problem — sexual violence is the problem — it is not my place to convince anyone that the orgasm will set us free. If the space isn’t safe to explore these things then that is something only you, yourself, can say and the last thing I want to do is silence you in any form. There is far too much silence already in this world.

It’s one of the reasons I decided against including the Emperor in this deck. Partly because my own spiritual beliefs run counter to the idea that old graybeard patriarchs are the embodiment of wisdom and justice (I work with far too many of them as a hospice nurse to get sentimental) but mainly because that’s not the kind of sexual energy I want to deal with. I mean, just look at the card in the Rider-Waite deck: the throne, the battle-armor, the ram’s heads, the orb and scepter. Gray and dour, the symbol of authority run amok. Anyone who demands to be called the “All Father” while in bed has a whole lot of issues he needs to work out first before he can start channeling his own sexual energy.

We are a culture that sends tons of mixed messages about what it means to be male. We seem to confuse being alert and brave with aggressive and delight in simple dualities: black/white, men/women, gay/straight. Not only is it a terribly boring way to look at the world, but no where in Nature — outside of Hollywood storytelling — can you find any examples of dualities. Zip. Nada. I find it curious that there’s yet to be a Feminist critique about some of the assumptions that go into a lot of these Tarot decks — like the idea that the Emperor is, for some strange reason, always higher ranking than the Empress, or that he’s Mars to her Venus, father to her mother, civilization to her wild nature, imposing his rigid meaty order to her divine wet chaos– aggh!, I’m beginning to sound like bad Freudian porn. But people keep telling me Tarot works on archetypes, so you know who my Empress is going to be? Lilith — the world’s first divorced, bisexual bad girl — who got kicked out of the Garden of Eden because she hated the Missionary Position so much. And there isn’t enough Viagra in the world to get that old man in the Rider-Waite deck hard enough for the Queen of the Night.

consort1

We’re not even going to use the word Emperor in this deck, leave that for men still working through their daddy-issues. For me, the word Consort sums up everything that is good about male sexuality — wild enthusiasm and loving energy without the aggression; leadership and compassion without being a tyrant — but the word Consort also has an erotic side to it, much more so than the word Companion. Make no mistake, the sex is great with the Consort, but Lilith already knew that, that’s why she picked him.

While designing this card, I placed a muscled, fey young man standing before the Universe. Like good foreplay, we are told the sky is the limit, but that doesn’t mean we need to go after it all at once when a slow, teasing build-up can work much better. On either side of him are symbols of traditional male power — a sword and an ankh — but the Consort does not need to use them to prove anything to himself. One of the reasons men are so reluctant to talk about sexual and domestic violence is that it means admitting vulnerability. Gods and action heroes are never vulnerable — which is also why they are make-believe. Boys are taught at an early age that real men are like rocks. But instead of taking this as free advice about their abs, they decide it must mean they need to hide their emotions, and so like Aries the Ram, the first sign of the Zodiac, they are forever stuck in the “infant” stage of development. Luckily for them there seems to be a lot of co-dependent people out there who think babies are cute (but we’ll save that side of our psyche for another card).

The Consort, though. faces no such problems. Pain, like rough sex, brings wisdom. The Marquis de Sade once quipped that everyone adores a fascist in bed. That is certainly true for some but it isn’t a call for becoming a despot with one’s emotions. Even at his relatively young age, the wisdom the Consort has learned is that being equal is never a sign of weakness.

um tarot suja — looking for lilith

16 Saturday Jul 2011

Posted by babylon crashing in Erotic, Illustration and art, Lilith, tarot

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art, erotic, Lilith, mythology, Tarot

At some point you just have to shrug your shoulders and let it roll on by. Does it matter that people get it wrong? Of course not, everyone is entitled to their beliefs and if it doesn’t match my own then that is fine too. Only a fascist would get upset over an iconic representation of something that, for all intents and purposes, has no iconic representation. A graven image, I mean. The kind of thing people still get stoned to death for creating in certain parts of the world. That’s the problem with a Mystery — a divine Mystery — there is no way we can wrap our heads around it. By its very definition a Mystery is unknowable — it wouldn’t be a Mystery if we understood it, now would it?

I say all this because I’ve been looking for the Empress of my deck: Lilith. As the blues singer Ida Cox sang, “Wild Women Don’t Have The Blues,” and Lilith was the wildest of them all. The problem is, though, that the representations out there (at least on the Internet) don’t hit home as what I’m looking for. Just google her name and you get 2,440,000 image results; giant tits and bat wings seem to a favorite for a lot of artists. A lot of them look like copies of the freaky She-Devils on the cover of the Lords of Acid’s Voodoo U.

There’s nothing wrong with blood red skin and giant tits and bat wings if you’ve got them, but it resonates with me as much as pictures of a blue eyed, blonde hair Jesus do — maybe that’s what people in Gary, Indiana cream their panties over but it doesn’t do a lot for me.

The things is that there are ancient images of Lilith as how she was thought to have looked way back when. The Babylonians couldn’t get enough of her. There is a famous statue of her with crow feet, surrounded by owls, the messengers of the night. This image, though, while appearing in some 1910 Tarot decks, seems to not have made it into modern times all that much.

July 16, 2011 [1]

And, sort of like how images of Midwest Hippie Jesus make me laugh at the idea that someone from Jerusalem could look so Gringo, if you think about it, there’s no reason that representations of Lilith should have the sharp Germanic features so many artists give her. Rarely do you get to see Lilith look like she’s actually from the Middle East.

July 16, 2011 [2]

If she doesn’t have bat wings, then often she’s portrayed as a satyr: one of the goat-legged fuck-bunnies from Greek mythology. There’s worse ways to spend one’s life than living in the Arcadian forest and fucking anything that moves, I suppose. Still, a satyr is a satyr and while I can imagine that Lilith might have taken her fair share of satyrs to bed (when you’re the Queen of the Night you do have a reputation to uphold), I can’t really see how her goat legs would have gotten left out in her description, being the Mother of a Mixed Multitude, and all.

And finally, there’s the kink. Because Lilith was kicked out of the Garden of Eden for refusing to be submissive to that limp-dick Adam (seriously, if the Missionary Position is the only thing that works for you then perhaps you might want to rethink this whole “Father of Humanity” role a bit) and as a result Lilith has been ascribed every base vice known — from S & M to drag queens to dental dams. Which is why, if you’re making an erotic Tarot deck, having her as the keeper of all wisdom makes sense. Now if only I could find an image of her I agree with. Hmm …

um tarot suja — the fool

12 Tuesday Jul 2011

Posted by babylon crashing in Erotic, Illustration and art, tarot

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art, erotic, Tarot, the fool

July 12, 2011 [1]

Over the years I’ve used two different decks when it comes to Tarot — Milo Manara’s and The Cosmic Tribe. What I present here are some rough drafts of different card in the Major Arcana I’ve been thinking about. Sometimes when I’m designing cards I can see the entire deck’s theme in my head and then it’s just a matter of trying to find the right images that’ll work with each card.

This isn’t one of those times. But that’s fine too, since it means I can make it up as I go along. We’ll see what happens. It’s always good, as T.S. Eliot reminds us, to play with a wicked pack of cards.

For the most part I’ll be using the concepts of Tarot laid down in the standard Rider-Waite deck, mainly because more people seem familiar with it, and I find its ideas straight-forward and easy to adapt to what I am working on. The Fool (card 0) in the Tarot usually depicts a youth setting off on the first step of his or her journey. In the beginning we are all fools, open to anything, ready to believe in the most heretical of ideas. We will need this openness if we are to find what we are looking for. As the ancient Chinese saying goes, “a 1000 mile journey begins with the first step.” And so shall we. Buddha’s dying words to his followers were, “walk on!” And so shall we as well.

The Fool carries all her worldly possessions on a stick, thrown over her shoulder, happily looking up into the air and oblivious of the cliff she is about to step off into. Call it a leap of faith, call it falling into the unknown, but if we are willing to take our first step in attempting anything then we will need to step away from all of that which brings us comfort and complacency, so that we might confront whatever it is we are looking for. At the Fool’s feet a little white dog is barking, trying to get her to look where she is going.

While in the Rider-Waite deck the Fool is literally about to plunge off the side of a cliff, there are other less literal ways of representing that. The world of Tarot is the world of dreams, and the dream world seems like a good place to start our journey. In the middle of an empty desert a stone staircase rises into the universe. If we want to take our first step into the unknown we must be willing to follow those stairs where they lead us. In this image the Fool has yet to start climbing the stairs – has yet to commit herself to her question – and is distracted by what is around her. It’s easy to get distracted, but the moment we focus ourselves and put our foot on the first stair is the moment our journey truly begins.

July 12, 2011 [2]

A second idea I came up with for the Fool is a little different. Instead of looking like an escapee from Cirque du Soleil, I decided upon a young woman who about to step naked from behind a curtain. She has yet to do this, but she will. After all, if we are going to explore the world of poetry and passion, desire and madness, then the first step for us is being comfortable enough with our own bodies so that we can actually know what we are looking for. I’m always fascinated at how many people want to burn with fire but are so horrified at what that requires they never admit it? Passion is our birthright. The same fire that burned in John Keats and Anne Sexton, Dylan Thomas and Sylvia Plath burns in everyone. Pretending it is any other way, to me, is hell. The other thing that is different in both cards is that I don’t have an annoying white mutt. The dog is symbolic. It is the Fool’s guide, that which will help her on her journey. There is no reason why it has to look the way it does except that Pamela Colman Smith, who designed the cards for the original deck, happened to like little white dogs, apparently. The girl’s spirit guide here is a blue ghost fox. It stands out sharply from everything else in the room, since it belongs to the realm of sleep and half-sleep, not the bright light of logic and daytime skepticism.

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